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Staton The Bleedin’ Obvious, Mate!

  candi-staton-2

For folk of a certain age, Candi Staton is best-known for the horn-driven, string-swept ‘Young Hearts Run Free‘, the disco track that burned up the charts in the boiling hot summer of 1976. It’s such a golden oldie standard these days that it’s easy to forget just how brilliant it is.

Candi StatonYoung Hearts Run Free

For folk of a different certain age though, she will be best known (maybe even only known) for ‘You Got The Love‘. A track initially released 10 years after her only other hit single, it finally came to prominence 5 years later when The Source transformed the original version into a slowed-down, hands-in-the-air rave generation anthem. With its sparse bassline and E-friendly lyric, it captured the mood of the times perfectly.

The Source feat. Candi StatonYou Got The Love

What many folk might not realise is that Candi Staton is as far removed from the notion of one (or two) hit wonder as is possible. Starting out in the mid 50s as a gospel singer (of course – where else can you develop a voice as powerful, as raw, as sky-scrapingly soulful as hers?) she did the rounds of the secular circuit, regularly crossing paths with a young Aretha Franklin and her preacher dad as they likewise found the feet and voices that would stand them in such good stead in the future.

candi-staton-fame-studios

Growing out of the gospel scene, she signed to Fame Studios in Alabama’s Muscle Shoals and re-branded herself as a Southern Soul belter, a big-voiced, big-haired ‘story’ singer. Her versions of Stand By Your Man and In The Ghetto were nominated for Grammys.

Candi StatonIn the Ghetto

Backed by a countryish, harmonica-led clip-clopping rhythm and see-sawing strings, the production places great emphasis on her voice; rich and soulful, skirting across the top of the original with comfortable ease. Just a thought, but had Brian Wilson visited the wide open vistas of the south instead of playing in his sandpit, he might’ve made records like this.

Fast becoming the go-to act for A&R men who you fancied taking a standard (Nights On Broadway, Suspicious Minds) and turning it into a soulified smash hit single, Candi’s albums at the time were criminally neglected, yet they’re packed full of terrific, rarely-heard Southern Soul smashes; story songs that build and peak and turn you inside out with guilt and pain, yet can keep you dancing all night long.

I’m Just A Prisoner (Of Your Good Lovin’) is classic Candi. The Staples-esque trembling, wobbly guitar intro and loose Fender Rhodes groove, underpinned by an impressive fret-hopping bass guitar allows her vocals to fly.  It’s a cracker…

Candi StatonI’m Just A Prisoner (Of Your Good Lovin’)

There’s real grit in her voice, the kind of grit that surely only comes from being a God-fearin’, six-times married Southern woman. Perhaps she took the words of her own Another Man’s Woman, Another Woman’s Man a little too literally, given that it’s a classic cheatin’ song, a waltz-time tale of infidelity and indiscretion sung from the heart.

Candi StatonAnother Man’s Woman, Another Woman’s Man

And here’s The Thanks I Get For Lovin’ You, another loose ‘n funky track that calls to mind Aretha in her late 60s peak. A confession song in the same lyrical vein as the one above, you’d think she’d have learned her lesson by now.

Candi StatonThe Thanks I Get For Lovin’ You

A few years ago, Damon Albarn’s Honest Jon’s Records released a brilliant Candi compilation that gathered together much of the best material from this era. Heartache and heartbreak just never sounded so good. I would tell you to buy the album, but as mock Cockney Damon Albarn might say, that’d be Staton the bleedin’ obvious mate. Bad puns aside, you really should investigate it.

 

Cover Versions, Get This!, Gone but not forgotten, Hard-to-find, Live!

Stax O’ Soul

Eddie Floyd was the big haired, big voiced vocalist of such soul nuggets as Knock On Wood, I’ve Got To Have Your Love and Big Bird. An ode to flight, Big Bird was reputedly written by Floyd in Heathrow Airport as he waited to board a plane to Memphis for Otis Redding’s funeral. That’s how the legend goes at any rate.

 eddie floyd

Floyd was also a staff writer at Stax, and co-penned all manner of lesser known gems recorded by the likes of William Bell, the Staples Singers and Carla Thomas. You could do worse than spend an evening digging deep to uncover his work. It’s all terrific stuff, but one Eddie Floyd song stands afro’d head and shoulders above all others.

Eddie’s masterpiece is 1968’s I’ve Never Found A Girl (To Love Me Like You Do).

eddie floyd stax 7

A great little slice of call and response Southern soul, it see-saws between major and minor chords, swept along by brass and strings and carried from middle to end by the stolen melody of Percy Faith‘s Theme From A Summer Place;

Played by Floyd with the help of in-house Stax guns for hire Booker T. Jones (who played bass, guitar and keys (!)) and Al Bell, and produced by the MGs Steve Cropper, the song would eventually peak at #2 on the US R&B charts.

As a wee aside, you could do worse than spend another evening comparing Booker T’s guitar solo on this track with much of Edwyn Collin’s Memphis chording on some of those mid period Orange Juice records – the intro to I Can’t Help Myself for example.

alex chilton live

Cult hero to the stars Alex Chilton has recorded a couple of versions of I’ve Never Found A Girl, most thrillingly in Glasgow backed by a Teenage Fanclub who gamely hold steady the backbeat and offer enthusiastic backing vocals whilst he chops out gritty little riffs of electrified southern soul atop it.

Recorded at the 13th Note in 1996, in this pre (for me) internet era, I walked into work the morning after the show to hear all about it for the first time. Nowadays of course, you’d never get a ticket for this kind of thing for sticky fingered touts. But back in the day it was good old fashioned lack of information that meant only the hippest of the hip, with a finger to the pulse and an ear to the ground, got to such events. The bastards.

Alex Chilton & Teenage FanclubI’ve Never Found a Girl (To Love Me Like You Do);

*Bonus Track!

Here’s Al Green‘s version, rather tame by comparison, but nonetheless a worthy inclusion to this post.