That politely twanging guitar that heralds the start of the track is, by the angle of its jangle, pure early era R.E.M. Or maybe the Go-Betweens. Maybe even the Hoodoo Gurus. There’s certainly enough blend of country rockin’ low notes and clean chiming chords to suggest it. As it falls into its mid-paced, head nodding plod and the vocal appears, all gargled gravel and forced out phlegm, you could be forgiven for thinking you’ve landed feet-first in some mid-west bar, the overpowering sight of wall-to-wall plaid shirts and faded denim just about drowning out the the clack of balls on the pool table as the singer strains above it all to deliver lines worthy of a low-budget Hollywood movie. ‘Jesus rides beside me, he never buys any smokes,‘ he goes, all resigned and stretching himself above the free-roaming lead guitarist with his hot shot fancy pants riffs just below him in the mix.
As if this isn’t enough, the honeyed tones of the Memphis Horns – yr actual Stax house band, responsible for those hooks and riffs on all those great Otis records…and Al Green’s Let’s Stay Together…and Elvis’s Suspicious Minds – comes breezing in like the warm and rasping ghost of Exile On Main Street to stamp its brassy rash all over the proceedings.
And then you discover that the guitar player is none other than Alex Chilton, himself the titular subject of a track on the very same album where this track resides. A Replacement service indeed. It don’t get much better than that.
Yes, you’re listening to Can’t Hardly Wait by The Replacements – maybe even as it shuffles up randomly while you pound your sorry state around January’s unforgiving streets – and the world is alright.
The Replacements – Can’t Hardly Wait
I was never that sure about The Replacements. I’m still not, to be honest. To me, I think they’re viewed over here the way a band like Teenage Fanclub might be viewed in the States. They’ll have an enthusiastic, fervent fanbase who can’t see past them and everything they do, but the more you move away from the parochial appeal, the less they’ll matter. Unlike, say, Tom Petty, whose widescreen jangling Americana has universal appeal, and certainly not like R.E.M., who changed course and conquered the world, The Replacements just seem like you have to be American to fully appreciate them. They bring to mind teenagers driving noisy gas-guzzler first cars, hopped up high school kids chugging beer, college sophomores getting blasted at frat parties, all that sort of cliched Hollywood America.
Can’t Hardly Wait though. Great players + great points of reference = grrreat track. No arguments here.
Plain Or Pan 
