Get This!

The Freewheelin’ Blog Thrillin’

The boy always had bikes. From the moment he spied his big sister’s, he wanted one of his own. He had a wee yellow Halfords-made thing, a Stinger, all go-faster stripes and cartoon wasps with helmet to match, and it wasn’t long before he was cycling death-defying circles on the front grass, the stabilisers dispensed with almost as soon as I’d fitted them. D’you remember the rushing sense of freedom that accompanied those first stabiliser-free pedals of your own? Yeah! Great, innit! Once you’ve shaken the rickety wobbles free, you’re truly off and running, one of life’s first lessons in the sheer thrill of singular independence.

He had a blue Cube bike next. High spec and well built. The pair of us, sometimes three if his big sister was feeling adventurous, would cycle from Kilwinning to Irvine to visit my parents, their grandparents, a one-way trip of seven or so miles. He’d have been five or six years old at the time, but he was determined that wherever I cycled, he should cycle too. I’d lead the way on the stretch of National Cycle Network bike path that serves this part of the west of Scotland so well, the boy just behind me, his wee legs going like the clappers while I freewheeled most of the way. I’d ring my bell. He’d answer by ringing his back. I’d do two short pings and one long one and he’d answer in the same way. Daft games to make the journey interesting. I’d have a stash of chocolate in my pocket and if he was flagging, we’d pull to the side and I’d produce the energy-giver at the right moment. By no means was it the fastest way to visit gran and papa, but it was the best. For the return journey, my dad would often put the boy’s bike in the back of the car and run him home, but he was never happy about that. Big sister, generally, was delighted. But if I was cycling home, then so should he, whether he was six years old or home was another seven miles away or whether it was raining or not.

After he’d outgrown the Cube, we got him an orange bike, the make of which escapes me. It had great tyres, if I remember correctly. Solid when pumped. Proper road grippers, but narrow enough for speed. Being bigger and more gallus, he’d think nothing of encouraging me to take him further afield. We’d go all the way through Irvine Beach Park and past the myriad of links golf courses to Barassie, and maybe even Troon if the weather was favourable. We’d cycle into the hilly countryside, wheezing our way up and wheeing our way down north Ayrshire’s undulating landscape, still playing that daft bell game, still stopping for sugar.

In the school holidays, the three of us would cycle to Kilwinning train station, wrestle our bikes onto the train to Largs (no easy task during the Glasgow Fair when all and sundry head doon the watter for the day), hop on the ferry for the short crossing to Millport, then cycle the island’s pancake-flat ten-mile distance, stopping off first at the famous Ritz Cafe and then at Fintry Bay with its crabbit ice cream seller before getting the ferry and then the train back home in time to make tea. Happy days.

The best bike he had was a Bradley Wiggins-branded hybrid bike. Great build. Properly good spec. A high quality bike. Even in the depths of winter, the pair of us would be off and out. Sometimes ‘just’ to Irvine, but these days we’d take the longer and more scenic route, up to and over the standing stones at the top of Eglinton Park, a thigh-burning exercise in positive mental attitude, its long, fast and slightly treacherous snaking downhill the reward for the hard yards on the up-climb. We ferried not just to Millport but to Arran now. He never quite made it round the island’s 56 mile circumference (I thought he was still too young, a concept lost on him, with inevitably stroppy arguments as a consequence) but we conquered many of the Sleeping Warrior’s hills and winding bends like a father/son tag team of red polka dotted Kings of the Mountain. By now, he’d be faster than me much of the time. Bigger, stronger and less apprehensive of the fast and winding downward runs, more gung-ho at tackling the horribly steep climbs. And now, he’d be the one at the top of the hill, pulling chocolate from a hidden pocket, teasing me slowly upwards the way Hanna-Barbera might’ve teased a donkey with a carrot.

Then his football really took over. It was always there, but now he trained twice a week and played at the weekend too. Bike time was no longer part of the agenda. To accommodate his growing stature, the seat on the Wiggins bike had been adjusted as high as it would go. ‘We’re gonnae need another bike,’ I remember thinking. ‘…but he doesn’t cycle any more,’ I answered myself almost straight away.

We sold the Wiggins bike on Facebook marketplace yesterday. A nice guy bought it. His young son will be in Scotland for four weeks during the English school holidays and they hope he’ll want to cycle around Millport on it. The bike’ll be happy to see familiar roads again. It’s gone to a good home.

I went upstairs to tell my wife that the bike had been sold. “It’s gone.” I burst into tears.

That wasn’t expected at all.

Here’s Long Hot Summer. Lazy, languid, meandering and unforgettable, all the while taking its time to get to the end of the road; the perfect metaphor for cycling with your kids, as it turns out.

The Style CouncilLong Hot Summer

 

Get This!, Gone but not forgotten

Cycle Killers. Qu-est-ce que c’est?

I’ve been racking the miles up recently, pedalling up and down the West Coast of Ayrshire and beyond. When it’s wet and grey and miserable, whch is about 11/12ths of the year, it’s easy to forget that I live in a beautiful part of the world. When the sun sets over Arran and you’re on the inward trip of a 30 miler, there’s no greater view or feeling on the Earth.

I have cycling playlists set up for different journeys, mostly beat-driven pre-millenium tunes by the likes of Underworld, Daft Punk, Future Sound Of London, the odd bit of Neu and Can, you know the sort of stuff….the music that gets your cadence pushing along at the same revolutions as the music. But I was getting fed up of it all.

photo(2)

Much of my cycling this summer has been soundtracked by an old Balearic Beats compilation, downloaded from some forgotten corner of the internet and hidden in the depths of my iPod. Two tracks in particular have helped make the uphills and last miles home far more bearable.

It’s ImmaterialDriving Away From Home

Back in 1988 myself and a couple of pals went to Ibiza. This was pre-super club days, when old guys with 3 teeth and wearing bootleg ‘I Ran The World‘ t-shirts would give you free admission tickets in the street. Consequently, I have found myself in Pascha, Amnesia, Es Paradis and probably others. One memorable club had topless podium dancers gyrating on a plinth as the sun rose. But we weren’t there for the topless dancers……it was all about the music (man).

I always liked how the Balearic DJs took music from every genre and with a twist of magic could make it fit seamlessly into their set. The wee nightclub close to our hotel has probably never found itself on any list of Ibiza’s Best Clubs, but we spent half our holiday in it (which probably says more about the hipness or otherwise of me and my pals). No bigger than your average footballer’s living room, what it lacked in designer chic it more than made up for in the music played. Everything and anything was clearly a policy the DJ lived by. Here you could hear The Woodentops seamlessly followed by Chic followed by some African jit jive followed by Chris Rea followed by some anonymous Euro pop followed by Talk Talk’s Life’s What You Make It followed by Pavarotti mixed into Prince. The last record played was always The Waterboys’ Whole Of The Moon. Most forward-thinking music fans would never, ever listen to some of the rubbish played as standalone records, but as part of a whole it was somehow sensational.

its immaterialIt’s Immaterial

Driving Away From Home appears on loads of Ibiza compilations, though I can’t actually recall ever hearing it in Ibiza at the time. It is the perfect Ibizan record – subtley beat driven, lightly scrubbed acoustic guitars, whispered, half-spoken mellow vocals and, between the keyboard melody, the harmonica refrain and the lines sung, incessantly repetitive.

It’s also the perfect cycling record. It’s about driving away from home, but it could easily be about cycling;

When I was young we were gonna move out this way, for the clean air, healthy, y’know…

Away from the factories and the smoke…

Moving away from home, without a care…

Why don’t we cross the city limit….?

Your pedalling cadence naturally hits the same rhythm as the record, not too fast, but not snail slug slow either. Some of the lyrics take on new meaning. Glasgow is mentioned, and the wee Rawhide steal (‘Move ’em on, move ’em out, move ’em up!’) always makes me subconsciously increase my speed. ‘All you gotta do is put your foot down to the floor‘ they intone. I’m doin’ it, I’m doin’ it! And without a care in the world.

Driving Away From Home has been tweaked, twisted and turned inside-out by all manner of aspiring Balearic beatmasters. Here’s a couple of rarer mixes found online….

It’s Only a Dead Man’s Curve mix, vinyl crackles ‘n all;

Discomendments Edit

Joe Malenda Balearic Dub mix

les negresses vertes

Les Negresses Vertes were a multi-cultural Parissien folk/punk mish mash. Coming across like Joe Strummer fronting the Pogues or a more refined Nyah Fearties perhaps, they were all flea market fire ‘n phlegm, their scratchy tunes enhanced by trombone, accordion and any other instrument that happened to be lying around as ‘record‘ was about to be pressed.

Zobi La Mouche (Zobi the fly, if my schoolboy French is correct) rattles along beautifully and, as with It’s Immaterial before it, helps boost you along those last few miles home.

Zobi La MoucheLes Negresses Vertes

Zobi La Mouche is a different kettle of fish, but still cut from the same Ibizan cloth – super-rhythmic, repetitive, chanting vocals and frantically scrubbed acoustic guitars. Like the It’s Immaterial track, I don’t remember it being played anytime on Ibiza either…

Longer version

 

Get This!, Gone but not forgotten, Kraut-y

Cum On Feel The Neus

cycling

I’ve been doing a lot of cycling recently, up and down Ayrshire’s sun-baked coast, and much of it has been soundtracked by Neu! I’ve become a bit fed up of my self-compiled iPod ‘Cycling‘ playlist, a playlist that was put together a year ago with great care and attention, added to sporadically since and been sequenced and resequenced numerous times to reflect the ebbs and flows of an average 30 mile ride – a blood-pumping fast one to start (a track by the essential yet horribly-named Fuck Buttons, the name of which escapes me at the moment), before settling into the groove and rhythm of cycling to the combined output of Underworld, Land Observations, Kraftwerk and the likes. And Mogwai’s The Sun Smells Too Loud. That’s always a good one when it pops up. But I got fed up with all of it and started listening to complete albums instead. Searching for the ideal cycling companion. Did you know, you can cycle from Prestwick to Kilwinning in exactly the time it takes London Calling to play? If it’s not too windy…

NEU! PressefotoKlaus Dinger and Michael Rother of Neu!

As much as I love my guitar bands though, I prefer to cycle to electronic music. Music with a pulse beat. Music that plays repetitively. Music that is enhanced when, between the gaps in the tunes, you catch the whirr of a well-oiled chain snaking through the sprocket. Which is where Neu! come in. Not really pure electronic music, Neu! They play guitars and stuff. It’s just that, in amongst the found sounds and random ambient noises they’ve commited to tape, the band have a knack of locking into a good groove and can go at it for ages. Proper head-nodding music. But you knew that already.

Their track Hallogallo has been a cycling staple for over a year. Rhythmic, repetitive and driven by that very motorik, Krauty pulsebeat that’s required for my type of cycling (“I wanted to be carried on a wave like a surfer”, said Rother, explaining his music a few years back), it’s almost as if it was made with me in mind. Which is frankly ridiculous. If someone had told the band in 1972 that their 10 minute opus would be able to be freely listened to on a portable device whilst someone wheezed their way along the highways and byways of the national cycle network, they’d have accused you of smoking something more potent than the jazz cigarettes they were willingly ingesting.

NEU! Pressefoto

Imagine if after leaving The Beatles, Pete Best had gone on to form The Rolling Stones. Not content with being the founding father in one extremely influential group, he goes on to build another. Dinger and Rother did just this. Both were in a prototype Kraftwerk, before splitting and forming Neu! To paraphrase an old joke, I’d say Neu! play both types of music – arty and farty. The three albums they released in the 70s – 1972’s Neu!, ’73’s Neu! 2 and ’75’s Neu! 75 are hugely influential (not then, of course, but now) and greatly important in the development of the Krautrock sound – “an ambient bassless White-light Pop-rock mantra,” as Julian Cope described it in his excellent (and recently reprinted) Krautrocksampler. Remarkably, I picked up an original in a  book sale in Kilwinning library for 25p!

If you’re expecting to hear verse/chorus/verse/chorus/bridge/chorus/fade to end, look away now. If you’re made of sterner stuff, jump right in. It’s a bit like drinking alcohol for the first time. Initially, you pretend to like it, but secretly find it hard to stomach, but before long you wondered how you got by without it.

Hallogallo is the opening track from Neu!

Für Immer is the opening track from Neu! 2. “A greener richer Hallogallo“, to quote Julian Cope again. It’s another terrific example of the Neu! sound – a relentless, motorik driving pulse with textured layer upon layer of chiming, ambient guitar and occasional whooshing flung in for good measure. I think you’ll like it.

millport cycle

*Bonus Track!

The Sun Smells Too Loud by Mogwai. Cut from the same Krauty kloth, but with a heavier guitar. S’a cracker.

And, hey! If you go here, you can download Krautrocksampler as a PDF, for free. Danke schön!