Plain Or Pan

I came to Joy Divison in a roundabout way. When ‘Love Will Tear Us Apart’ was released, in fact when any of Joy Division’s stuff was being released, I was totally unaware that it/they existed. In my defence I was a bit young (about 10) and too young to be a post-punk. I was more into Adam and the Ants, Madness and The Specials, and I spent 99p of my £1 pocket money every Saturday morning in John Menzies on whatever had taken my fancy from Thursday night’s Top Of The Pops. I remember running, sprinting up the road with my 7″ of ‘Stand and Deliver’ and playing it to death for the next week.

I didn’t know about Joy Division until 1985 and I discovered the Smiths, Echo & the Bunnymen et al for myself. I never had a cooler big brother or sister or cousin or uncle. I didn’t know anyone that was cool. At school everyone was into Duran Duran, Kajagoogoo and all that crap. The big album round about Christmas 1983 was Paul Young’s ‘No Parlez’. You can get it these days in any charity shop that still sells vinyl. That and Michael Bolton’s back catalogue. Paul Young had hair like a bog brush, wore suits that looked like they were made out of blue tinfoil and he had thought he sung like Otis Redding when I now know he sounded more like Noel Redding than any black man I’ve ever heard sing. I taped ‘No Parlez’ from someone, and that’s where I first heard ‘Love Will Tear Us Apart’. I thought Paul Young wrote it. It sounded like one of his songs. Slow. Dead slow. Took ages to finish. Was full of keyboards and wanky fretless bass. It wasn’t very good. Fast forward a couple of years. In 1985 I was an album-buying geek. I read sleevenotes. I knew who produced albums, where they were recorded, who wrote what. I was at my pal’s one night and we were going through his old albums and laughing (Lionel Richie ‘All Night Long’, Go West ‘Live’!!!) and I found his copy of ‘No Parlez’. Reading the sleevenotes was when I found out that that ‘Love Will Tear Us Apart’ was a Joy Division song. I went out and found the 7″ in a second-hand stall. It sounded fantastic and I played it to death. Even more than ‘Stand and Deliver’. I bought everything I could find that said ‘Joy Divison’ on it. Then I found out that Joy Division had become New Order. I was off and running again. Spending money I didn’t have on singles and albums I had to have. You just don’t get that rush from downloading.

Here’s some rare Joy Divison for you:

‘Love Will Tear Us Apart’ February ’79 Peel Session

‘Transmission‘ Martin Rushent demo, Eden Studios London

‘Chance‘ (early demo of ‘Atmosphere’) Pennine Sound Studios Oldham

and here’s a couple of ‘Love Will Tear Us Apart’ cover versions:

French disco outfit Nouvelle Vague‘s jazzy, almost bossa nova, female-sung version with added wave effects. Squarepusher‘s faithful version from their ‘Do You Know Squarepusher?’ (answer: Radiohead certainly do. The wee thieves) that sounds like it’s sung by David Gedge of the Wedding Present.

Hard-to-find, Peel Sessions

Oranj Peel

July 11, 2007October 27, 2007 Craig McAllister

So, T in the Park came and went, and going by what I watched on telly it was just like Glastonbury with kilts on. The same acts, the same sets, the same presenters, the same mud, the same audience. The same pish if you ask me. Wean’s World.

It’s hard to come up with any highlights from T, but if there was one it would be the faux pas the singer from Arcade Fire (Wim Butler) made. Telling the crowd that the band had stayed in Glasgow the night before their slot he went on to say, “What the fuck was that parade all about? It was awesome. You guys really know how to play a snare drum.” Cue much booing and many “Get tae’s!” from the soggy masses. It turns out Mr Butler and co had just witnessed their first orange walk. What a walk to witness as well. Given the date at the weekend, it would have been the big one.

The phenomenon of the orange walk may be unfamiliar to some of you so I shall try and briefly explain. In Ireland and in the West of Scotland there is a strong anti-Catholic organisation called the Orange Order. Yes, it’s not just Muslims that get it from us. Anyway, this lot like to remember the Battle of the Boyne which took place over 300 years ago(!) in July 1690, when King William of Orange (King Billy) defeated King James’ and his attempts to regain the thrones in Scotland and England as well as Ireland. Do some googling and you can find out all you need to know. These days, the Orange Order and their associated walks on and around the 12th of July are used by Rangers FC shirt wearing thickos to shout, swear and sing obscenities about Roman Catholics and should really have no place in 21st Century society. That’s why the Arcade Fire were booed. Nice to see the kids of today rubbishing the orange walk. With any luck, these parades will eventually die out, just like my failed attempts here at a bit of political writing.

And now for the music bit. Here’s 4 tenuously-linked tracks related to the 12th of july and it’s associated rubbish…..

Kicking things off, two Libertines tracks. First, from their much bootlegged Legs 11 demo sessions, ‘Hooray For The 21st Century‘. Secondly, ‘Boys In The Band‘ from an XFM session 2002 (exact date unknown).

Next. The Arctic Monkeys got famous on myspace etc and everyone knew the words to all their songs before they were even released. File sharing? Great, eh? Hooray for the 21st century! Here’s their first demo of ‘Scummy Man‘.

Finally, the fantastic Fall. Taken from the Complete Peel Sessions Box Set, which you really should own by now, is their ‘Kurious Oranj‘ from the 31st of October, Nineteen Eighty-eight-ah. Trumpets, giant hamburgers and ballet dancing. No-one does it or says it like Mark E Smith.

Pained and intense, man
They were inquiring.
They were Kurious Oranj…
They rode over peasants like you, they rode over peasants like you,
And their horses loved them too, and their horses loved them too.
They Were Kurious Oranj. They Were Kurious Oranj.
They built the world as we know it, all the systems you traverse.
Rode slipshod over all dumbshits.
They were Kurious Oranj…

Cover Versions

Cover version of the month, possibly the year

July 2, 2007September 29, 2007 Craig McAllister

From the new Patti Smith album ’12’, here’s her version of ‘Smells Like Teen Spirit’. It starts quite quietly, so be patient. It’s worth the wait. See all those words that you could never make out Kurt singing? You’ll get them all now. “It’s fun to lose and to pretend. She’s overboard and self assured” So that’s what he was mumbling! It’s so great it’s my Cover Version of the Month. Possibly even the Year.

Remember – no Patti Smith, no PJ Harvey. Here’s PeeJay doing Bob Dylan’s ‘Highway 61 Revisited’. It starts quietly as well, strangely enough. It’s so great I had to post a gratuitous picture of PJ in her underwear………

(funny quote should be here)

Cover Versions

Re-re-reconsider baby

July 1, 2007September 29, 2007 Craig McAllister

Blues standard triple whammy.

‘Reconsider Baby’ is quite possibly my favourite Elvis tune. Not a lot of people know that, as Michael Caine might say. The origins of the song go way back. What follows here is a wee history of the track and 3 versions for you to download and compare.

Lowell Fulson wrote and recorded his original mid-tempo blues version for Chess in 1954. It features some nice bluesy guitar licks (Eric Clapton was clearly paying attention) and some honkin’ sax (every blues band this side of Memphis were also listening). It proved to be his only hit on Chess but as well as Clapton and all those other blues plodders, Elvis Presley was opening his ears.

In 1954 Elvis was still a couple of years away from breaking big, and would take an enforced break (and haircut) from music when he went off to do his National Service. On March 20th 1960, he went into Nashville’s Studio B (15 days after leaving the army) and over the course of 2 nights, 2 nights, Radiohead!, recorded the 18 tracks that would make up the 12 ‘Elvis Is Back’ tracks plus assorted b sides. Elvis was worried that he might have lost it since being in the army, as if being stripped of the quiff by the army barber would somehow render him useless on record. ‘Reconsider Baby’ was one of those 18 tracks and it smoulders, swings and just plain rocks to this very day.

The track has also been recorded by, amongst others, Chicken Shack (a bit Booker T-ish), Earl Hooker (standard blues ‘n’ organ fare, see also Freddie King), Bobby Bland (excellent, slow and soulful version), Eric Clapton (nice Cream-esque fuzzed guitar, horrible soulless vocal) and relative blues newcomer Joe Bonamassa. His version is pretty good. It starts a bit like Funkadelic’s ‘Maggot Brain, goes a bit Led Zeppelin ‘Since I’ve Been Loving You’ as sung by a bad Joe Cocker in the middle, and ends up sounding like the theme tune to ‘Taggart’, the top Scottish Police drama on TV. Really. I like it! (This track and Taggart).

Joe Bonamassa – great musician but a fanny

Hard-to-find

Vanilla Coke

June 30, 2007September 29, 2007 Craig McAllister

As requested, here’s the Vanilla Fudge Coke commercial. It’s a wah wah ‘n’ Hammond B3-heavy psychedelic freak out. Reminds me a bit of Deep Purple’s ‘Hush’. I’m not too familiar with Vanilla Fudge, so I’m not sure if this track is a pastiche of one of their other tracks. “20,000 eyes diggin’ Vanilla Fudge onstage with Coke!” Here you go.

Hard-to-find

Coke got soul

June 30, 2007December 5, 2007 Craig McAllister

Following on from a previous post a while back, here’s more Coke commercials from the 60’s. All soul tracks, all fantastic.

Marvin Gaye and Tammi Terrell were well know for their duets (It Takes Two, The Onion Song, You’re All I Need To Get By etc etc). Less well known perhaps is the fact that Tammi rarely ever sang on any of these tracks. A hopeless alcoholic, she was usually replaced by any number of mimicking Motown session singers and no-one knew any better. So I have no idea if it really is her duetting here with Marvin, but this track swings like all those other tracks just mentioned.

“For the first time, Ray Charles and Aretha Franklin the King and Queen of Soul, for Coca Cola.” This track sounds like they’re singing their hearts out in celebration of their love for one another – “You bring on the good times darlin’ you know that is so” and then you remember they’re singing about a fizzy drink! Sounds great though! Things go better with Coke indeed.

Otis Redding died way too young. He set the Monterey pop festival on fire. OK, Hendrix may have had yer actual flames on his strat, but it was Otis who had the whole hippy audience eating out the palm of his hand thanks to the inter-racial group (the MGs and the Mar Keys horns) and the sheer dynamism and soulfulness of his performance. You can get the Monterey video from any number of decent online DVD sellers. Do yourself a favour etc etc, and while you’re waiting for it to arrive, hear Otis put his heart and soul into a paen for the sweet taste of Coke here.

“Joe Tex talks to his baby!” And it’s a bottle of Coke! Pistol crack snare, tight horn section, tickling piano, a conservative bass line and that great Joe Tex vocal on top. Come on baby, let’s go! Here you are Quinny.

Got loads more of this stuff, so let me know what you want to hear next. The Bee Gees? Vanilla Fudge? More Aretha or Marvin? Dave Dee, Dozy, Beaky, Mick & Titch? Who needs gimmicky Coke and iTunes promotions when Plain Or Pan is open for requests…..

*Added 5.12.07 More Coke tracks here!

entire show, Hard-to-find

TFC @ KEXP

June 3, 2007January 2, 2008 Craig McAllister

Teenage Fanclub live on the radio, Wednesday August 3rd 2005, at KEXP in Seattle to promote the release of ‘Man-Made’. What can you say about Teenage Fanclub that’s not been said already? Not a lot, which is why I’ll let the music do the talking this time. This session is an all-acoustic affair, although ‘Born Under a Good Sign’ benefits from some subtle fuzzed-up lead guitar, and sounds like a lost outtake from Forever Changes, or maybe even LA Woman-era Doors. Yep. It’s that good. This session is worth getting just for this track alone. In the interviews, Norman does most of the talking, which veers from golf, to “plodding along” as Teenage Fanclub, to playing dice with the Posies, to not listening to his own records. Not all that exciting, but as far as Teenage Fanclub material goes, you need it to fill the gaps in your collection, at least until their next album or single or song or verse or new chord or something comes out. Haste ye back Fannies, we’re missing you.

All tracks have been seperated, but if you burn them ‘gapless’ in Nero or whatever, you’ll get that full seemless radio listening experience.

Born Under A Good Sign

interview

Slow Fade

Insert your own Teenage Fanclub ‘Radio’ joke here:

Hard-to-find

A potted history of The Primitives

June 1, 2007September 29, 2007 Craig McAllister

The Primitives were from Coventry and formed in 1985. They filled the gap post-Smiths and pre-Stone Roses and I bloody loved them. Their first single was ‘Thru The Flowers’ which was released in May of 1986. I’ve got it on super sexy seven inch and I am open to offers. It’s not the same version that appeared on their debut album ‘Lovely’. Initially, they were very primitive and all the songs were noisy and sloppy because that is how they played. The obvious focal point was Tracy Tracy who was cute as cute and looked a bit like Ruth Ellis (the last woman to be hanged in Britain). The others dressed head to toe in black, wore skinny jeans and pointy boots and had Ringo Starr circa 1965 haircuts. Paul the guitarist was clearly in love with Lou Reed and the Velvet Underground and had a great collection of guitars. The band went through more line-up changes than Spinal Tap. The original drummer Pete Tweedie wasn’t very good, so most of their early stuff was actually done with a drum machine (something most people don’t realize) and Pete would play the ride or hi hat. They released six singles with the sixth being a re-recorded version of ‘Thru The Flowers’ before they eventually signed to RCA in 1987.

In 1988 the album ‘Lovely’ was released and it is brilliant. It was a night and day change from their early singles. All of a sudden they knew how to play their instruments. The first change they made was getting rid of Pete the drummer. The other key to their sound was producer Paul Sampson who went back through all their old demos and found ‘Crash’ a song they had scraped. This was their only big hit and became a bit of an albatross for them. You’ve probably heard it. That guy from Busted has got a version out just now. It’s in the new Mr Bean movie. Honestly! Anyway, sales inevitably diminished, and the band continued to release great singles that only myself bought. ‘You Are The Way’ being a fine example. Co-written by Ian Broudie it shoulda been a massive hit. But wasn’t. The hidden jewel in their crown for me though is a track that originally appeared on the b-side of ‘Way Behind Me’ and was re-recorded with the guitarist singing. ‘All The Way Down’ is a brilliant piece of pseudo-Nuggets hammond ‘n’ bongos psychedelia and YOU NEED IT!

Of course, the band eventually petered out. Tracy added her vocals to some generic Ministry Of Sound pish dance track, and Paul is now a graphic designer. Download the 3 tracks above and remember them this way. And get over to Amazon or Play or wherever and pick up their Best Of for about £4.

tracy tracy ruth ellis

Cover Versions

A new world record

May 27, 2007September 29, 2007 Craig McAllister

I go to about 2 gigs a year. Way back in my youth I would go to 2 a week. Now it’s 2 a year. Usually Bob Dylan and Teenage Fanclub. I’ve seen Teenage Fanclub live at least once every year since 1990. I’ve probably seen the Trash Cans as many times or more as well. OK. Make that 3 gigs a year. Point is, I don’t go to that many any more.

So, a wee burst of gig action has taken place recently. Hot on the heels of, yes, Bob Dylan and the Trash Cans (if I’d remembered which night they were on. Idiot. Haven’t seen them live in 2007 yet), I have recently seen Candie Payne and King Creosote.

Candie Payne first. Hotly tipped, great reviews and rightly so. A fine voice, a backing band stuck in 1964 (the best bits of 1964) and enough good tunes to suggest she is more Saint Etienne than Dido, which is what I’d secretly feared. She is being compared to Dusty In Memphis, but that frankly is a bit too much. Still, she was pretty good. Her new album is a good bet for the Mercury Prize this year. Frank suggets you stick a tenner on it…

King Creosote sounds or looks nothing like Candie Payne but his gig was just as enjoyable. He can sing a bit, plays a mean accordion and has funny between-song banter. Best song of the night was a new one about having seen Grease too many times. “You’re not the one I want. No, no, no.” He is self-deprecating and as far removed from pop stardom as you can imagine. Which is just how I’d like you to stay please, Mr Creosote. Go and see him if you get the chance.

In the meantime, here’s 2 interesting covers.

Candie Payne does Iggy Pop’s ‘Nightclubbing’ (plays in iTunes only)

King Creosote does Jeff Buckley’s ‘Grace’.

(Man, they love Jeff Buckley round here!)

Football, Gone but not forgotten

Up shit Greek

May 27, 2007May 25, 2012 Craig McAllister

Liverpool the other night were beaten by a freaky goal, a classy goal, and by their own ineptitude at putting the ball in the net when they had the lion’s share of possession. I had this next musical treat all ready to go in the event of Liverpool winning, but it seems churlish not to put it up anyway. Back in the 80’s, Liverpool were my favourite English team. They had Souness, Dalglish and Hansen. The backbone of the team was Scottish and they were mainly unbeatable. When they won the European Cup against Roma in 1984, John Peel’s show was magic. It began with a burst of ‘You’ll Never Walk Alone’, some church bells, some Mighty Wah! and Peel and Kid Jensen trading good natured bonhomie. In between you get some dub reggae (of course), some “exquisitly tastless” Anti Nowhere League and a bit of Ivor Cutler (of course). Peel was a big fan of Liverpool, so much so that he got married in a red and white suit. Throughout the show he is in good spirits and full of emotion.

If you’re a Liverpool fan, listen in, stop greetin’ and hark back to the good old days. And if you’re not a fan, listen in anyway. It’s lo-fi quality and sounds a bit underwater at times, but radio gold all the same.