Cover Versions, entire show, Hard-to-find

The Queen Is Dead….Long Live The Queen

My wee girl likes Hannah Montana, High School Musicals 1, 2 and 3 and all that sort of pre-teen garbage. A particular favourite of hers at the moment is Camp Rock, the story of a poor girl who finds herself at a summer school full of rich, beautiful and talented teenagers all intent on making their mark in the business of show. But you don’t need to know that. However. ‘Camp Rock’! I always have a wee snigger at that title. In my head I can picture Freddie Mercury in a puff-sleeve blouse singing “Scaramouch scaramouch do the fandango.” Camp rock. Hee hee. But from today that’s all changed.


Ooh! You are awful!

Morrissey played an intimate show for Radio 2 a couple of nights ago. I missed it at the time but caught it on the iPlayer last night. Initial reactions were….well…..I dunno. His new stuff sounds OK. Just OK. Not the triumphant return to form that you either a) secretly hope for or b) that the arse-licky journalists are required to write in order to have an audience with the grumpy old so-and-so. Highlight for me by a country mile was when he sang ‘This Charming Man’. I don’t have my Smiths history books to hand at the moment, and the old Smiths hardrive I keep somewhere in my brain is playing up, so I can’t tell you exactly when the last time he sang this song, but it was a long, long time ago.

The version he did the other night had me pining for the chiming guitars of Johnny Marr. This version was so LA rock it hurt. Devoid of any subtlety at all, the twin guitars bludgeon the chords to death and it ended up sounding like the bastard offspring of ‘Lust For Life’. If you are in the UK, you can watch it here. See Morrissey in all his barrel-chested, receding hairlined glory. Who ate all the (vegetarian) pies? If you are not in the UK, he looks a bit like Peter Mandelson. Go and google him. As he said himself on Wednesday night, “Life, in all it’s disgusting glory, goes on.” Yeah, so it’s not The Smiths. That’s obvious. But (whisper it)…………I quite like it. Camp rock indeed. I prefer this version though…

At the end of his set he also did a version of old Smiths’ b-side ‘I Keep Mine Hidden’, from the ‘Girlfriend In A Coma’ single if my afore-mentioned hardrive is correct. All tumbling piano riffs and power chords, I also (cough) liked this one (a lot, if truth be told after repeated plays) even if he didn’t do any of the whistling that he does on the original version. If you’re interested in the whole show, it’s here.

So. Not sure what to make of the latest version of Morrissey. I want to like him. I think I like him. But I’m not sure. If he was an artist I didn’t have any history with I’d not even bother with him. But if you are a music lover of a certain vintage (approaching 40 (fuck!)) you have to afford him some of your time. You might not be too keen on Morrissey the musician anymore, but we all still need Morrissey the popstar. “This Charming Man is about being charming, which so few people are these days. I think it’s nice to install these words into people’s brains and who knows, it might rub off on a new generation. We don’t have to be violent, or ugly, or arrogant, just be charming. And what a pleasant world that would be.”

*Bonus track. Stars verion of ‘This Charming Man’. I heard this in Gap a few years ago and spent ages tracking it down. I think you’ll like it.

And another thing. If you’re a fan of all things Morrisseyesque, you could do worse than add The Vinyl Villain to your favourites. Every Friday VV puts up a Friday I’m In Love…With Morrissey post. I’m sure today will be no different.

Dylanish, entire show, Hard-to-find

“I don’t care about the leaking, or the loss of sales, or anything like that, but I just don’t like it when someone comes and opens the curtains on my vaudeville show before I have my pants on.”

The name’s White. Jack White. Iffy Bond themes notwithstanding, Jack White can barely do wrong. Even without his pants on, as you’ll hear below. In the past I’ve posted some fairly essential White Stripes shows and Raconteurs radio sessions. If you’re very quick and look in the darkest corners of Plain Or Pan? they’re still available. But not for long.


I know many people prefer the basic blues riffs and rudimentary style of the White Stripes to Jack’s more considered approach in The Raconteurs. I like them both. What I particularly like about The Raconteurs is that at any given time, Jack and Brendan Benson are both singing. And as I mentioned a couple of posts ago, much like The Beatles and even The Last Shadow Puppets, it’s often difficult to tell them apart. Those close harmonies really define The Raconteurs. Coming on like a 21st century The Band, The Raconteurs wipe the floor with the White Stripes. Uh huh, These boys can really play. As Jack says, “LJ’s a great bass player.”

Since moving to Nashville, the odd fiddle and honky tonk piano riff has crept into the sound and whilst this isn’t always a good thing – it springs to mind Ringo’s ‘Don’t Pass Me By’ on the White Album – in the case of some of the songs below, it fits just fine. It’s a wee bit Bob Dylan ‘Desire‘, to these ears. And anyway, if country hoe-downs ain’t your thang, it’s worth considering that by the time The Raconteurs are playing live near you, the songs could well have undergone a Dylanesque reshaping. That’s why they wipe the floor with those runny-nosed White Stripes.


Yesterday, KCRW‘s ‘Morning Becomes Eclectic’ broadcast 2 sessions by the band. The first was recorded at The Village Studio, Los Angeles, on Sept 23 2008. The radio broadcast featured 4 songs followed by an interview:

Top Yourself

Old Enough

You Don’t Understand Me

Pull This Blanket Off


I can’t listen to the above version of Pull This Blanket Off without hearing REO Speedwagon‘s Take It On The Run. Yep. Jack’s moved on somewhat from De Stijl. Take It On The Run‘s a great track by the way, no matter how uncool that just made me. KCRW then broadcast 3 tracks from the Greek Theater, Los Angeles, from the same date as above.

Many Shades Of Black

Salute Your Solution

Rich Kid Blues

All files should be downloadable from here. It’s my first time trying this new file host, so bear with me. Fingers crossed. Let me know ease of use, speed of download etc etc. Cheers.


entire show, Gone but not forgotten

Back In Black

Currently going through a major reappraisal in the house of Plain Or Pan? at the moment is Elliott Smith. I’ve been playing all my outtakes stuff and gone a-diggin’ in the deepest corners of the fabulous internet. Not surprisingly, my wee treasure hunt has turned up some good stuff, not least the following concert….

Some of you may be familiar with the Black Sessions. Effectively the French equivalent of a John Peel session they go out live over the radio. Usually there’s also 2500 promo CDs pressed up and distributed to the lucky few. The Teenage Fanclub one recently went for funny money on eBay (get it here). Perhaps not surprisingly I’ve never seen the Elliot Smith one, but I now have the next best thing – a badly edited mp3 version of the concert.

Elliott gets ready to rock out

Recorded at la Maison de Radio France on November 6th 1998, it was eventually broadcast on the 30th December at the end of the same year. It’s an ‘XO’-heavy show, complete with backing from the band Quasi and it’s rockingly good. Not quite AC/DC rocking, but for Elliott it’s pretty full-on. The set was…

Speed trials

Bled white

XO (Waltz #2)

Bottle up & Explode

Sweet Adeline 

Baby Britain


Division Day

I didn’t Understand

Between the Bars

Say Yes.

No individual tracks, the whole show is here as a .rar file.

Bonus track: Here‘s a nice wee alternate version of Bled White from the ‘XO’ album, complete with false start.

Cover Versions, entire show, Hard-to-find

Tan By Your Man

Man-bag wearing, perma-tanned soul/folk/rock crooning all round pie, mash ‘n’ jellied eels geezer Paul Weller played a ‘God’s Jukebox’ session recently on Mark Lamarr‘s Radio 2 show. And it was a belter.

Extremely well played (is that a mellotron?) and captured perfectly in the high quality files below, Weller and his “boys” run through a selection of tracks from his new album ’22 Dreams’, as well as a track from ‘As Is Now’ and a cover of Manfred Mann’s ‘Pretty Flamingo’. All in all a good days work at the office and a nice session to own. You could be impatient and download just the music from the links below, or you could download the entire session, interview included in high quality flac files. I’d go for the latter.

All I Wanna Do Is Be With You

Cold Moments

Push It Along

Pretty Flamingo

Misty Morning

The interview is informative, but fairly light hearted. It pokes fun at Sting, compares chord sequences to Abba’s ‘Take A Chance On Me’ and alludes to the band playing standing back-to-back à la Thin Lizzy. Which doesn’t really work on the radio, but would have you thinking that Paul Weller isn’t the next gurmudgeon due on the new series of Grumpy Old Men after all. He sounds like he’s having fun, both in his playing and his chat. Enjoy the session. (Recorded on July 5th, if you need to know these kind of things)

 Soul, man!

entire show, Gone but not forgotten, Hard-to-find

Liz luvs Jeff (IDT INDT)

* Broken link for ‘Grace’ fixed!!!

On the 12th May 1995, Jeff Buckley was playing at Prince‘s club, ‘First Avenue’, in Minneapolis. On the same night, a session he recorded in Atlanta a couple of weeks earlier (probably) on the 22nd April was broadcast on the radio. It was later released on a bootleg CD simply titled ‘Sessions‘. I paid about £15 for my CD at the Barrowlands market one Sunday, way back before the internet was freely available and file sharing was all the rage. Of all the Jeff Buckley bootlegs and odds ‘n’ sods I have, the ‘Sessions‘ CD is probably the one I go back to the most, so in the spirit of the internet and Plain Or Pan’s ‘Hard To Find’ policy, the whole session is available for download below.

Played in front of a small studio audience, this is a mostly acoustic session even though Buckley plays with his band. It sounds intense, focussed and crystal clear. The one minor gripe I have with the session though is the way he bends, twists and strangles his voice into different sounds. I know that’s supposed to be part of the appeal, but sometimes during this session it can all get a bit much. He growls, yelps, warbles and yodels, and makes sounds that probably only dogs can hear. Round about this time he was shagging Liz Fraser (Cocteau Twins). There was a documentary on the telly when she said so and admitted her undying love for him. Who knew?!?!? Whereas some unfortunates get STD’s for their troubles, it seems Ms Fraser passed on some of her annoying vocal tendencies to lucky Buckley instead.

I am now ducking…

Of course, he also sings. And that’s what I always focus on when I listen to him. Well, that and his fantastic guitar playing. I still don’t know how he does it both at the same time.

Last Goodbye
So Real
Mojo Pin
Lover, You Should Have Come Over

Reduce! Reuse! Recycle! For those of you who are relatively new to Plain Or Pan?, you’ll find various Jeff Buckley stuff scattered around the site. You could look here, or here, or just click on a month on the sidebar and see what turns up. You won’t be disappointed. You could also do worse than check out Buckleyesque, a decent wee blog that has loads of Jeff rarities (although it could do with a bit of an update).

voice of an angel, wings of an angel


entire show, Hard-to-find

Bon (h)iver? Bon été!

Today’s post has the feel of that dodgy Freeview Channel, ‘Dave‘, the channel that shows endless repeats of ‘Have I Got News For You’, ‘QI’, ‘Never Mind The Buzzcocks’ etc – all great stuff, none of which was actually produced by ‘Dave‘ itself. Read on…

Many of you I’m sure will be familiar with the Bon Iver album, ‘For Emma, Forever Ago’. All critics and music fans alike seem to love it. It’s been called modern folk, it’s been called folktronic, but to me it’s just plain old folk music. It’s not a million miles away from King Creosote and the Fence Collective group of musicians from Fife in Scotland, but for whatever reason Bon Iver will find himself at the top of most ‘Best of the Year lists, which is something that has so far eluded King Creosote.

Bon Iver prepares to throw another lucky 6

Many of you will also be familiar with the story of how Justin Vernon split up with his girlfriend, and went into the mountains to live off the land and write and record his album.  As Vernon himself said, “(For Emma, Forever Ago) was made on a pilgrimage to the woods of northwestern Wisconsin. With only guns, venison, firewood, a sears typewriter, and ancient musical equipment.” And it sounds like it. Grizzly Adams gone mellow. It’s a fantastic album and I’ve been playing it to death recently. As is the way with these things, once I get my teeth into an artist, I like to seek out every recording they’ve made. What follows below is a rag-bag assortment of radio sessions and TV appearances that have been converted to mp3 and are available for your enjoyment. 

Remember what I wrote in the opening paragraph? ‘Dave‘ TV? Some of these tracks have already been made available by one or two other blogs and others I’ve found through the wonders of the world wide web, so I take no real credit for bringing them to your ears. In the spirit of ‘Dave’ TV, these tracks may well be repeats – you’ve heard them already, but, hey, I’ll hear it again and might even download it this time. I think I’m the first to compile all these Bon Iver tracks in the one place. They’re a bit more rough and ready than the album versions, more stripped back and some how a bit more honest. Listen out for the squeaky door opening around 1.40 in the first track….

Flume  (Backstage Sessions, Nashville)

Creature Fear  (Backstage Session, Nashville)

Flume  (MOKB* studio 4th April)

Skinny Love  (SXSW festival)

Skinny Love (Live on Later with Jools Holland)

Flume (Live on Later With Jools Holland)

 Flume (Radio K In-Studio Sessions)

* MOKB is My Old Kentucky Blog. There’s a great interview with Bon Iver right there right now. I stole the above pictures from there too. Credit where it’s due and all that. And if these tracks aren’t enough for you, click on the taxi picture below to take you to Black Cab Sessions. You’ll find a great clip (Chapter 44) of Bon Iver playing ‘Creature Fear’  in the back of a London taxi. There’s some Fleet Foxes too. Take time to look around it, there’s some great stuff.

ps – I’m also looking for Bon Iver’s XFM Session from around April/May this year. Anyone got some files they can point me in the direction of?

Cover Versions, entire show, Hard-to-find

Hang On! Acoustic Fanclub!

Last weekend was Teenage Fanclub weekend. A triple treat, a trio of tip-top turns, a heroes welcome for a hatrick of homecoming shows. And any other number of alliterative delights. Each show was different and each show was great for any number of reasons. I’ve mentioned the ‘Electric Chestnuts’ show below, so we’ll focus on the other 2 for now.

Sunday night’s setlist

Sunday night was the ‘Acoustic Chestnuts’ night and it was fantastic. Instruments were swapped, harmonies were finely honed (especially Francis- who knew drummers could sing?) and there were big smiles all round. In contrast to the sound problems of Saturday night, at some points the vocals were so good it was like listening to the Everly Brothers. Personal highlights were the songs from the Grand Prix era- ‘Don’t Look Back’, ‘Going Places’ and ‘Some People Try To Fuck With You’, which sounded like Astrud Gilberto on Buckfast.

Monday night’s setlist

Monday night was the one I was looking most forward to – the b-sides and hardly-ever-played night. Teenage Fanclub did not disappoint. The show was heavy on ‘A Catholic Education’ -era Fanclub (‘Heavy Metal’! ”Every Picture I Paint’! Eternal Light’!) and the much-neglected ‘Thirteen’ album – ‘Escher‘! ‘Gene Clark’!, ‘Ret Live Dead’!, which meant lots of distortion pedals, fewer backing vocals and the odd cocked-up start (poke about on YouTube for Norman 3). It was like a Fannies gig from way back in the day and it was extra magic, the best of the three without a doubt. Brendan O’Hare got plucked Springsteen-style from the crowd to sing ‘The Ballad Of John & Yoko’ and no-one’s mentioned this yet, but Norman’s McCartney backing vocals were pretty immense. Raymond’s frazzled playing on ‘Born Under A Good Sign’ made it sound like Love, circa 1967. They even played ‘Broken’, before coming back on for the genuinely not-planned double-whammy of ‘Sparky’s Dream’ and ‘Alcoholiday’, although had they also played ‘God Knows It’s True’ and/or ‘Everybody’s Fool’ (and given the albums they were drawing from I think they could’ve) and maybe even ‘I Heard You Looking’, if that’s not being too greedy, this gig would have been gig of the decade. Still, Best Gig of 2008 is good enough for now.  

Norman 3 (nights)

Anyway, lots of talk over at the Teenage Fanclub Message Boards about how the band should release an acoustic album, or a b-sides album, or a live album, or indeed, any kind of album at all. But an Acoustic Fanclub album would be an excellent idea. In the meantime, you could do worse than make do with these wee beauties. Firstly, recorded for ‘The White Sessions’ on French radio on the 11th April 1995….

Don’t Look Back
Say No
Star Sign
I’ll Make It Clear
Sparky’s Dream
Have You Ever Seen The Rain
Mellow Doubt

(click here to download as one complete session)

‘The White Sessions’ is a long running French radio show where bands go in and record acoustic sessions. Teenage Fanclub used their time to promote Grand Prix. The same radio station also do ‘The Black Sessions’ where the band play a longer, usually electric set in front of a small invited audience. Teenage Fanclub also did a Black Session in 1993 but I’ve never heard it. It may be that some of the tracks below are taken from it, I don’t know. An official-looking CD from the show was on sale up until yesterday on eBay and I was quite excited. But when the bidding started approaching £30 I got scared off. I couldn’t justify that sort of money for something which will probably turn up online soon. Fingers crossed. If you were the lucky bidder, how about sending me a copy?!

Also taken from my personal vaults (!) of badly-labelled Teenage Fanclub radio sessions, curios and oddities, here’s a random selection of acoustic-based Teenage Fanclub. I’m unclear as to where most of these came from. Radio sessions? I don’t know. But not b-sides. No siree. Rare Fanclub. Cos the Teenage Fanclub are a rare band, a rare band indeed. Download and enjoy!

a piano-led Hang On

Four Strong Winds

He’d Be A Diamond

Sparky’s Dream

Tears Are Cool

The Shadows (Mark Radcliffe session)

entire show, Hard-to-find, Peel Sessions

Hey! Hey! Come Out Tonight! Popscene! Alright!

Mention Blur and most folks think of Brit Pop, very big houses in the country and all that terrible stuff, or gurning smart arse Damon Albarn, who with his side projects involving World Musicians, hip-hop and opera (hip-hopera?) is becoming the indie Sting. Me? I still like them a lot. I have all the Blur singles. From 1990’s ‘She’s So High’ on 12″ right up to 2003’s ‘Good Song’ and everything inbetween. And not everything inbetween was good. ‘Sunday Sunday’ is one cockernee oompah-pah knees up too many, and lots of their b-sides were decidedly average. But I still bought them. On 7″, 12″, CD1 and CD2. The 10th Anniversary Box Set (£10 in the Our Price sale!!!) Box Sets aside, EMI must’ve made a fortune out of me. I even bought the Japanese import stuff, which is where this post is leading.

‘Bustin & Dronin’ is a Japanese compilation that collects all the remixes, b-sides and stuff from the singles that were released off of the ‘Blur’ album from 1997. This was the album that lost the band many of their fans but it’s my favourite. It’s loud, wonky, experimental and has Graham Coxon all over it. Not that the other albums don’t have Graham Coxon all over them either, but this album is the sound of a pissed-off guitarist fed up with where the band were being pigeonholed. It spawned the catchy ‘Song 2’  (which I am led to believe is more popular these days than Sweet Child O’ Mine as the riff of choice for spotty wee boys in guitar shops) and made them massive in America. It’s said that ‘Song 2’ was influenced by the stage antics of Pavement‘s Bob Nastanovich. Anyway……

Spread over the various formats of the ‘On Your Own’ single you can find assorted Blur tracks recorded live for John Peel at Peel Acres (his house). Bustin & Dronin’ has the whole 6 song set in order and it sounds fantastic. Recorded on 8th May 1997 it’s a right royal racket of a set. It starts with a hundred mile an hour trumpet-free blast through ‘Popscene‘ and continues in wonderful fashion from there on in. It sounds nothing like the Blur that the tabloids focussed on. It sounds like nothing or no-one else to be honest. Imagine the sound of a shitty amp wired to fuzzbox being dropped down a flight of stairs along with a box of drums and a cheap keyboard. Yes, it’s that good. It’s the ideal snapshot of where Blur were at in 1997. If you saw them live around this tme you’ll know what I mean. And it’s all here below….


Song 2

On Your Own

Chinese Bombs

Movin’ On


Tonight Matthew I’m going to be Michael Caine

Incidently, a wee Blur fact. David Bowie and Brian Eno were given a co-writing credit for ‘M.O.R.’ Acknowledging the song’s similar melody to ‘Boys Keep Swinging’, Blur gave them credit before getting the phone call and lawyer’s letter.  

Special bonus track. The frankly weird Earl Zinger reggae version of ‘Song 2Wo’. It’s hardly essential, but have a listen.

Blur do Blondie

Nowadays, the guy on the left really does live in a very big house in the country. Bit of a fanny, wears tweed jackets, makes cheese. His book‘s really good. You should read it. I once saw Blur and Radiohead play the Barrowlands around the time of ‘Modern Life Is Rubbish’. Possibly 1993. Radiohead were just back from America where Creep was massive. Thom had that Birdland haircut he was fond of before he went bald. Radiohead were shite. No-one belives me when I say that, but they were. Rank rotten shite. Blur were fantastic. 40 minutes of in-your-face, no-nonsense punk pop. There were only about 150 people there. True story that.

entire show, Hard-to-find

There she goes. There she goes again. And again…and again…and again…and again…and again…and again…and again…and again…and

‘There She Goes’  by The La’s is the best song ever written. Just over 2 and a half minutes of perfect pop – the instantly recognisable guitar intro, the frantically scrubbed repeating drum-n-guitar clatter after every ‘I just can’t contaaaaiiaaaayyyn….‘ line, the middle 8 before going back to the chorus, the ‘she goes again and/or calls my name, calls my name’ refrain you hear on some versions, the wee 3-part harmony on the very last word……it’s all there. The best song ever written. Not that it looks like he ever will, but the royalities he receives from this song alone ensure that Lee Mavers never has to work again.


I have as many versions of ‘There She Goes’ as I could ever need. I’ve just bought the newly issued limited edition ‘Sound‘ 7″ ep that has the unreleased John Leckie version on one side and the original single version on the other. I’ve got the original red cover 12″. I’ve also got it on the blue cover 7″ with ‘Way Out’ on the other side. I’ve got the album version (on vinyl and CD, and coming soon, Deluxe Edition CD), the reissued 1988 version, the BBC Sessions version, the ‘Fever Pitch’ ep……..and they’re just the ones you could or still can buy! I also have the promo versions – the one with the alternative intro, the instrumental version, the unplugged version, the, ahem, cough, ‘live‘ in New York version that’s basically an unlabelled studio demo with added crowd effects (but very trippy and very, very good). I also have umpteen demo versions from a variety of sessions and they’re absolutely magic. La’s heaven. Trainspotter gold. Call them what you want, but if you’re a fan of a particular band and a sucker for studio outtakes this, to me, is about as good as it gets until Lee Mavers turns up at my house armed with a battered acoustic, a 4 track portastudio and instructions to “keep tapin’, la“.


I’ve recently put all these versions in the one place (a CD) and have been playing them in the car on my daily journey to work. By the time I’m out the car, depending on what day it is, I’m either the happiest man alive or I feel like stabbing someone’s eye out. 21 tracks! Every one of them ‘There She Goes’! Can you handle it? It may drive you batty or it may be The Best La’s Album In The World….Ever! Either way, they’re all here, on this handy-to-download .rar file. Play it all and you’ll begin to hear every faded intro, every subtle variation on the bass line, every backing vocal, every ammended harmony. It’s all there. It’s all magic. And it’s all been sprinkled with a generous layer of 60s dust. No artwork yet. I’ll be working on that over the school holidays in the next couple of weeks.


Lee Mavers genuinely loves this song. He often played it live twice in the one show (and certainly not cos he was told to by the record company), and if I have 21 22 versions, of which only 4 5 are commercially available, how many versions does Mr Mavers have lurking about his archives? Slevver, slevver, drool, drool, drool.


“How many versions!?!”


1. John Leckie version

2. Original single version

3. Album/reissued/Fever Pitch etc single version

4. Alternative intro (Go! Discs promo CDP547PRS)

5. Unplugged version (Go! Discs promo CDP547PRS)

6. Instrumental version (Go! Discs promo CDP 547PRS)

7. ‘Live’ version (Go! Discs promo CDP 564PRS)

8. Liz Kershaw BBC Session version 31.5.88

9. Demo #1

10. Demo #2

11. Demo #3

12. Demo #4

13. Demo #5

14. Pete de Freitas Echo demo #1 1987

15. Pete de Freitas Echo demo #2 1987

16. Pete de Freitas Echo demo #3 1987

17. Eden Session #1

18. Eden Session #2

19. Eden Session #3

20. Eden Session #4

21. Ride Yer Camel session – recorded on a ghetto blaster, Barry Sutton’s flat (date?)

*Notes on the tracklisting. I have a played-to-death compilation demo tape that a pal got me from the Go! Discs archives around 1989. The versions of ‘There She Goes’ from that tape are included here. I have no more recording info other than they are labelled ‘Demo 1 – Demo 5’. Some, all or none of them could be the legendary Hedges versions, but we’ve not long now till we find out anyway. Any ammendments to my recording info gratefully received. Come on, all you lot on – get correcting!

*Shite! Knew this would happen! You go and compile it all and what happens? You remember about that album you bought a few years ago that you don’t play much. ‘Lost La’s’. There’s a version on that. It’s not the best, but it does have an alternative middle 8, and purely for historical value it should be included too. Here’s the first ever live performance of ‘There She Goes’ from the Picket in Liverpool, May 1987.

*STOP PRESS The first 10 people to download the .rar file can email me their address and I’ll send them a free sample of 60s dust from the top of Lee’s old Vox AC30.

STOP STOP PRESS More La’s stuff here and here. Cheers.

Dylanish, entire show, Hard-to-find

Are these French ones? No, they’re healthy cigarettes!

In 1962, a 20 year old Bob Dylan recorded an hour long show for Cynthia Gooding‘s ‘Folksinger’s Choice’ radio programme. History seems to be a bit fuzzy regarding the actual date of recording, or even if the show was actually broadcast at all. My bootleg says 11th March 1962, so that’s what I’m sticking with. You may know differently. What is absolutely astonishing about this show is that it exists at all, and in such brilliant quality. I don’t know what methods were used to extract the show from the radio to someones tape recorder. Maybe the recording is taken straight from the radio station’s own tapes (which is more than likely), but if you’re in any way shape or form a fan of Bob Dylan, you need this bootleg in your collection, it’s simple as that.


What you get is young pre-Columbia Bob playing a mixture of original and traditional material. In it’s own right, that’d be good enough. What makes this recording even better is the between-song chat between Cynthia and Dylan. They’d met each other in 1959, when Dylan sang to Gooding at a party after one of her concerts. She recognised his talent and was impressed enough to go and see him perform his own shows at places like Folk City in New York. Throughout the radio show, she is clearly in awe of him. In fact, I’d say she fancies the pants off him, and Dylan knows it. His tall stories regarding where and how he grew up are in full flow – “I’d just come from South Dakota……I’d come there from Sioux Falls“,  “I was a clean-up boy, I used to be on the main line, on the ferris wheel, do just fun rides. I used to do all kinds of stuff like that…..I skipped a bunch of things, and I didn’t go to school a bunch of years and I skipped this and I skipped that.” Dylan talks about his influences, how he writes songs, and when cornered has to admit that, maybe, some of these songs, well, he only wrote the first couple of verses himself and the rest of the song is, I don’t know, something I heard before.


Bob, with healthy cigarette

Fantastic stuff, every wee bit of it. The full tracklisting on the back of the disc is below, but really, download and burn as gapless for that full radio show experience. The link for the whole show (plus artwork) in one complete .rar file is here. As a tempter, here’s one of the between-song chats and a version of ‘Smokestack Lightning’.

Lonesome Whistle Blues
Fixin’ To Die
Smokestack Lightning
Hard Travelin’
Death Of Emmett Till
Standing On The Highway
Roll On John
Long Time Man Feel Bad
Baby Please Don’t Go
Hard Times In New York


“D’ya like that?…………..I sure do!”