Cover Versions, Gone but not forgotten, Hard-to-find

Bum Notes

I came to Hamilton Bohannon‘s Dance Your Ass Off back to front. I had no idea, back in 1987 when I first flipped That Petrol Emotion‘s Swamp to the other side (the double A side, no less) that the track was a cover. I had never heard of Hamilton Bohannon. I had no idea Dance Your Ass Off began life, not as a hard-riffing indie rock thumpalong, but as a string-swept, four-to-the-floor disco funk number.

Hamilton BohannonDance Your Ass Off

In hindsight, it was obvious. In an era when Stone Roses were still a leather-clad goth band and the phrase ‘there’s always been a dance element to our music’ had yet to be uttered by plooky, bucket-hatted chancers with no end of shame-faced brass neckery, That Petrol Emotion were cross-pollinating the best of dance with loud guitars and danceable rhythms and creating their own niche in a post-Smiths, pre-Roses landscape.

Listening to them 30 or so years later, That Petrol Emotion still stand up. Not of their time, but out of time. As it turned out, there always was a dance element to That Petrol Emotion’s music, not least when they turned up to play a gig in Glasgow’s Sub Club, mecca of dance music for discerning clubbers throughout the west of Scotland and beyond.

When you learn that Hamilton Bohannon was a born-again, God-fearin’ devout Christian, Dance Your Ass Off comes as something of a surprise. Many of Bohannon’s tracks were syrupy, slow-paced love ballads to the higher order, so that he decided to kick loose with swampy, chicken scratchin’ guitar and bad ass bass nailed to bubbling, fluid on-the-one funk should be celebrated with carefree, arms aloft in the air abandon.

Make a lotta noise!‘ he instructs. ‘And dance all night!‘ That’s easy to do when the rhythm laid out in front of you is so single-minded in its mission to get you to move. Double-time handclaps drop in and out, see-sawing strings saw their way through the middle while the drummer – possibly Bohannon himself – holds the beat steady for a full eight minutes.

There’s some crowd pleasin’ call and response as the strings waver their way ever-closer to Mayfield territory, all Blaxploitation shimmer and underlying menace, but the groove never abates. With the thick soup of guitar, bass and drums at its core, Dance Your Ass Off comes across like The Meters transplanted to Studio 54. And there ain’t nuthin’ wrong wit dat.

That Petrol EmotionDance Your Ass Off

That Petrol Emotion were first and foremost a guitar band but they understood the appeal of a steady rhythm section and some wildly interlocking riffage. Swamp on the a-side would make that explicitly clear to any doubters. Their take on Dance Your Ass Off is a testosterone-fuelled, muscled-up triumph.

With sights firmly set on the indie dance floor, it locks into its groove and rocks hard in half the time of Bohannon’s original. The guitars, all feral Telecaster twang and snap, fall somewhere between hard jangle and post punk rage, concrete thick yet flab-free and linear. A gnarly, growly bassline replaces the uber funk of the original.

The little scratching noise you hear in the background under Steve Mack’s enthusiastic north-west American yelp is that of Faith No More making notes to crib the punk/funk bassline for their own end. We care a lot, indeed. It’s a groovy cover, all things considered.

1 thought on “Bum Notes”

  1. I’m a wee bit late to this one (We’ve been away for a week doon in that England) but your spot on Mista Callsta. I was indeed at the Sub Club gig and they were splendid. As for Mr Bohannon, get any best of, and so long as it contains ‘Disco Stomp’, ‘South Africa Man’, ‘ Let’s Start the Dance Again #3’ and the aforementioned ‘Dance ya Ass off’, you’ll be having a great perty!

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