Fate works in mysterious ways. Firstly, two items all typed up and ready for publication when Mediafire stop me uploading mp3s for your aural pleasure. Then, problem fixed (2 weeks later) and the two items I wrote have somehow disappeared silently into the ether, apparently gone forever. This post, therefore, is a test of sorts…
Today is Roger Waters’ birthday. It’s also Dave Stewart’s. It would’ve been Otis Redding’s 70th birthday today too, but he never made it past the age of 26. Aye, fate works in mysterious ways indeed. Otis, as you well know, was the soul singer’s soul singer. Pure. Raw. Heart bleedin’, soul sweatin’, down-on-his-knees soul. Following his performance at 1967’s Monterey Festival, he was one of the first black artists to cross over to a white audience. Keef prefers his version of Satisfaction to the Stones’ original. Modern day wannabe Stones The Black Crowes did a pretty rockin’ verison of Hard To Handle. Well, they were “modern” 20 years ago at any rate. Not many people even knew it was a cover. But you did, eh? Course you did. Unfortunately Otis was also partly responsible for The Commitments and therefore pub bands up and down the country doing buttock-clenchingly awful versions of Respect and Mustang Sally (I know, I know, it’s a Wilson Pickett track), but he was a long time dead by then, so he thankfully never heard any of them.
The music….
Take 1 of Try a Little Tenderness. Otis with Booker T & MGs feeling the song out for the first time. Isaac Hayes arranged the brass section, fact fans.
I’ve Been Loving You Too Long. The heart-wrenchin’, knee-droppin’ Otis at his finest.
*Bonus Track!
Tindersticks version of I’ve Been Loving You Too Long. Almost but not quite white man gospel. It’s downbeat, churchlike (funereal, even) and fairly terrific. If you are unfamiliar with the work of Tindersticks, you might suggest Stuart Staples sings a wee bit like Vic Reeves’ Pub Singer on it. But don’t let that put you off.


What a first take of the song. One of my favourite songs of all time. When the guitar comes in after about two minutes in the released version, goosepimples all over. One of those songs that you put on when everything’s shit and it is instantly better.
Thanks
Happy birthday Otis & thanks Larry:
http://funky16corners.lunarpages.net/?p=1868
Original is brilliant and I love Chris Farlowe’s neo-Baroque take with piano and string quartet. (http://www.youtube.com/watch?v=OpeEsnF03Es) I think Farlowe appeared live with Eric Burdon and Otis late in his/their careers.