Hard-to-find

Play That Funky Music White Boy

We’ll get the confessions, the truth and the cold hard facts out of the way first. I’m too young to appreciate the beauty that was Postcard Records. Way too young. I’m not exactly sure when I first chanced upon the label, but it was certainly long after the last of those few, fey and feisty 7″s had made their way out of Alan Horne’s bedroom and into the world. While it was all going on I was too caught up in the chart music du jour – Madness, Adam & the Ants, Swords Of A Thousand MenSpurs Are On Their Way To Wembley. Proper stuff like that. Had I actually heard Blue Boy or Just Like Gold I doubt I’d have liked them. And if you’re being honest with yourself as you read this, when you were 11 you wouldnae have liked them either.

Meet The Beatles? Velvet Underground? Byrds?

It was probably an article in the short lived Scottish music publication CUT that first brought Postcard Records to my attention. Being a heady 13 years old, by now I knew my Robert Lloyds from my Lloyd Coles and had an appetite for discovering new things. I knew of Orange Juice of course. Rip It Up had been all over the airwaves, the words ‘One Hit Wonder’ running through it’s jangly core like a stick of sugary sweet confectionary. And I must’ve been aware of Aztec Camera by this point too. Over the years I’ve come to realise that year zero for many of these bands I grew to love began at Postcard. Edwyn and Orange Juice. Roddy and Aztec Camera. The Go Betweens. All began their shiny black plastic lives on the Postcard label. Josef K too, but, eh, we’ll scratch that last lot out. I never gave them a chance/listen until Franz Ferdinand waxed lyrical about them a few years ago. Like I said earlier, we’ll get the confessions, the truth and the cold hard facts outta the way first. I like them now though.

Anyway. The reason for this article is three-fold.

  1. I’ve been meaning to do a bit about Postcard for a while now.
  2. It’s just over 30 years since the first Postcard 7″,  Orange Juice’s Falling And Laughing, was released – there’s a good wee write up about Orange Juice and the pre-OJ Nu-Sonics here.
  3. Over at the Vinyl Villain, on 6th April they’re celebrating Paul Haig day. Paul Haig was lead singer with Josef K (below). But you knew that already.

So with regards to the above, I’ve compiled The Best Postcard Records Album In The World…Ever. Every a-side and b-side ever released on the label, from Orange Juice’s rare as funk debut (even Edwyn Collins doesn’t have a copy) to Aztec Camera’s non-album Mattress Of Wire. And everything in between, from Antipodean brothers in arms the Go Betweens to Edinburgh’s answer to the Glasgow Glamsters, Josef K.  Every track wrapped in eczema-like scratchy guitars, elastic band basslines and vocals just on the wrong side of tuneful. Well. Almost every track. Roddy Frame uses, gasp! – acoustic guitars! He sings in tune! He’s a precocious 16 year old genius. The fucker! It’s the Sound Of Young Scotland y’know!

  

Here’s what you get:

 Orange Juice
Falling And Laughing / Moscow / Moscow Olympics 
 Orange Juice
 Blue Boy / Love Sick 
 Josef K
 Radio Drill Time / Crazy To Exist 
 Go Betweens
 I Need Two Heads / Stop Before You Say It 
 Josef K
 It’s Kinda Funny / Final Request 
 Orange Juice
 Simply Thrilled Honey / Breakfast Time 
 Orange Juice
 Poor Old Soul / Poor Old Soul (pt2) 
 Aztec Camera
 Just Like Gold / We Could Send Letters 
 Josef K
 Sorry For Laughing / Revelation 
 Josef K
 Chance Meeting / Pictures 
 Orange Juice
 Wan Light (unreleased)/ You Old Eccentric (not on compilation)
Aztec Camera
Mattress Of Wire / Lost Outside The Tunnel

 Why the small writing? Pain in the arse, man.

Download includes exclusive Plain Or Pan artwork.

 

 

8 thoughts on “Play That Funky Music White Boy”

  1. Beautifully done. As a 43 yr old who grew up in EK, this is ‘my generation’ as it were in terms of music that mattered, post punk and in my case, post ELO (in the spirit of confessions)…and in the case of Roddy, music made from just a few minutes away down the road. Thank you from Sydney.

  2. could you not just direct folks to the various postcard compilations that orange juice glasgow school thingy and the josef k entomology one – i’m sure the cash still counts. it’s a lovely thought and all but….

  3. Ah, come on Ally! That’s a bit harsh. Most of the stuff I post on here is hard to find and out of print. If a few tracks are made available for free rather than from Domino Records or wherever, who’s complaining?

    Anyway. If you prefer your music in the highest possible fidelity with sleevenotes and pictures and everything….

    http://www.dominorecordco.com/uk/reissues/29-01-07/the-glasgow-school/

    http://www.dominorecordco.com/uk/reissues/29-01-07/entomology/

    Go. And. Buy. Them. Now.

  4. Aye funny that………i could nae get into the jinglejangle Velvet Underground type Orange Juices till the simply thrilled Honey…an’ then it clicked… got most of those singles in the loft… a should really look the vynil out eh? thought the later stuff was better. who’s got that Third album then?

  5. Spent a few years trying to find “mattress of wire/lost outside the tunnel” mp3s and would have happily paid for them. Fruitlessly, until I was looking at yer latest post and thought to search the site. All I can say is thanks very much for that. Big Greg put me onto the blog last year and I owe him for that tip. Keep up the top work. Oh, and thanks very much for the Spacer 12″ too. My favourite song of my last (antipodean) summer. Cannae believe I’d never heard it before.

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