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Where are we going, fellas?

To the top, Johnny!

And where’s that, fellas?

To the toppermost of the poppermost, Johnny!”

That tag at the top of this page – ‘Outdated Music for Outdated People‘ isn’t there for nuthin’ y’know. Joe Kane‘s latest project The Poppermost is exactly the sort of forward-thinking, retro-tastic music that floats this particular lockdown boat.

Released worldwide today, The A Piece Of The Poppermost EP is Beatles For Sale-era Fabs, all monochrome graphics and monophonic thunk. The attention to detail is obsessive; the structure and arrangements, the playing, the sentimentality… it’s all there alongside the in-jokes (Parlophoney – yes!!) and super-obscure references that even the most Beatle-obsessed Beatlehead might not spot first time around.

Borne out of a one man mission with his roots firmly planted in all things Fab – Joe has Rutled with Neil Innes, switched from right hand to left (such is his dedication and obsession with the minutiae) to play McCartney in all manner of Fabs ‘n Macca theatre acts – and he’s only gone the whole hog by recording his own music so in thrall to his idols as to be genuine rather than pastiche.

Not bound by such hinderances as, y’know, actual bandmates, The Poppermost finds Joe in his garage studio playing everything himself. Utilising an array of instruments, microphones and recording techniques, all glued together by bargain basement analogue junk – ‘shitty is pretty‘, says Joe, your innermost Fab Four desires will be sated by an affected Lennon-like ‘you wanted the werld and I gave you the werld‘ here, a woody McCartney bassline there, a multitude of 12 string chiming George middle eights, with everything held in place by multi-tracked handclaps and a Ringo-perfect compressed backbeat.

The EP is trailed by a terrific promo clip for the upbeat, clipped guitarisms of The Laziest Fella In The Realm. It’s quite spectacular.

See what I mean?

Elsewhere on the EP you’ll find Well I Will, a chugging, Beatle-wig flipping I Saw Her Standing There for the 21st century, replete with on-the-money Fab Four backing vocals, an era-defining guitar break and enough spontaneous yelps, woos and general Maccary to warm the heart of even the fiercest of Beatles naysayers. Great cowbell too.

The PoppermostWell I Will

The EP takes a minute to gather its breath with the downbeat and ballady Get It Down, all sharply ringing acoustics and pitter-pattering I’ll Follow The Sun rhythms before rounding off in ballsy rocking manner with In & Out, a mid-temp head nodding Cavern Club stomper, all descending guitar runs and tumbling vocals throughout. Joe’s claim to be the self-styled King of the cunning coda would appear to be spot-on, given the overlapping, overloaded Fabisms in the final half a minute.

If you like your Fabness pitched somewhere between the lo-fi authenticity of The Stairs and the technicolour dreams of Jellyfish, you could do worse than head straight over to The Poppermost’s Bandcamp page to pick up your copy of ‘A Piece Of The Poppermost‘. An album will follow in June.

 

demo, Double Nugget, Get This!

I’m Backin’ The Kane Gang

A few weeks ago I was involved in putting on a fantastic gig in the tiny but perfect Harbour Arts Centre in Irvine, half an hour from Glasgow on the west coast of Scotland. The main act for the night was BMX Bandits, an act who last graced my hometown a mere quarter of a century ago at one of our Tennent’s Live-sponsored ‘Rock On The Watter’ events. The beginning of the 90s saw Tennent’s dip a corporate toe into the world of live music and Rock On The Watter, which ran annually from 1990-1994 was, in a way, the precursor to T In The Park. Indeed, if our town fathers had had any ounce of rock and roll in their brittle, backwards-thinking bones, TITP might’ve been staged at Irvine’s Beach Park rather than Strathclyde Park in Hamilton. But that’s another story for another day.

As it transpired, Duglas T Stewart had fond memories of playing in Irvine and took great pleasure in eating a banana during the opening song Cast A Shadow – just as they’d done 25 years previously. The gig would unravel to be something of a classic, with a heady mix of Bandits’ greatest ‘hits’ getting a good airing alongside debut live performances from their very imminent BMX Bandits Forever LP. I’ve since heard a couple of these same tracks played on Marc Riley’s 6 Music show, which I suppose gives the whole gig some extra gravitas. The last band to debut new material in Irvine was young upstarts Oasis, who chose the Beach Park in 1995 as the venue in which to float Don’t Look Back In Anger out into the ether, Noel playing his barely-disguised, ham-fisted version of All The Young Dudes with yer actual George Harrison’s actual plectrum. Again, another story for another day.

The whole point of this post though was to highlight the undeniable talents of Joe Kane, the artist who provided support to BMX Bandits in the HAC.

Joe is one of Scotland’s best-kept secrets. He spends most of the year being Paul McCartney in Them Beatles, regarded as one of the most authentic Beatles tributes around. Squint hard enough and he has an undeniable, two thumbs aloft, McCartney look about him. Add a pair of pointy boots, a perma-surprised mouth agape and crucially, a Beatles’ wig, and the look is complete.

For months on end he can be found playing Beatles conventions all over the world. Them Beatles have a trainspotterish approach to authenticity, so going to a show is quite possibly as close as you might get to the real thing. A fantastic array of period guitars – the Hofner bass, George’s Rickenbacker, John’s Let It Be-era Gibson – played through a backline of vintage Vox valve amps, coupled with the studied mannerisms and learned lines of each Beatle – “Rattle yer jewellery,” “Opportunity knocks,” etc etc, all add up to the real deal. Fab, even.

Joe’s ‘hobby job’, if you like, is playing his own music; wonky pop, looney tunes and merry melodies, all swimming in nutty effects with a rich Beatleish undercurrent. It’s a job that’s found him playing sessions on BBC 6 Music, performing alongside the cream of Scotland’s indie elite and co-writing with big hitters (in a parallel universe) such as Norman Blake and the aforementioned Duglas. You may be aware of some of his nom de plumes; The Owsley Sunshine, Dr Cosmo’s Tape Lab, as part of Ette…..

Here’s Joe in his Owsley Sunshine incarnation, clattering along like Supergrass doing Badfinger by way of an XTC Bond theme, all compressed vocals, ringing and lightly toasted guitars, stop/start riffs and a brilliant rhythm section – which may be all his own work. (*Update – it’s not, but Joe is happy for you to think that – not for nothing does he have a track called Don’t Pump My Ego, Baby!

The Owsley SunshinePowered By An Electric Shepherd

For the Irvine show, his 4-piece Radiophonic Tuck Shop sounded extraordinary; slightly psychedelic and Super Furry super-tuneful. Amazingly, this was their first ever gig. Not for them though the usual sweat of jittering first-night nerves; Joe surrounds himself with tip-top, top-chops musicians, and the Radiophonic Tuck Shop comprised of seasoned pros (I’m sure that was ‘George Harrison’ stage left) that brought out the best in his songs.

Their set of skewed power-pop went down extremely well, the short, sharp blasts of Nuggety pop from Joe’s back catalogue given an urgent, insistent makeover in the live setting. Intentional or not, each song was counted in with a none-more-Macca “1234!” to great applause, which you could be forgiven for thinking was a smart sample from any one of those early 60’s Beatles’ BBC sessions. As first gigs go, it was a brilliantly explosive cherry-popping and an exciting portent of things to come.

Only Joe KaneAs Hard As I Feel

Only Joe KaneDisnae Time


This coming Saturday (22nd April) will see Joe and his Radiophonic Tuck Shop support Teen Canteen at the launch of their also-endorsed-by-Riley ‘Sirens‘ EP, which is pretty much the perfect double bill if y’ask me. It may well be sold out by now, so if you can’t get to it, keep an eye on the gig listings pages. Joe’s out and about regularly and definitely worth catching. Indeed, the following weekend will see Joe wig out in his Beatles guise, for two shows at Oran Mor, on the 28th and 29th April on Glasgow’s Byres Road. Yeah, yeah, yeah!

Tickets can be bought here.