This great picture of young Celtic fans storming the Hampden Park barricades and getting themselves into the big match is a real look back in time, to an era when showpiece games at the national stadium weren’t always ticket-only, when brass neckery and opposable thumbs gave you and your pals just as much right to take your place on the ash and pish-coated terracing as anyone else.
This picture has everything; it’s in colour, so it’s not that old. It comes from an era in football somewhere beyond rollups and rattles and record attendances, from a generation deeply entrenched in brutal tribalism and Rangers Ends and Celtic Ends (check out the wee scribble of casual sectarianism graffiti in the picture), with the EBTs and biscuit tins and the Big Two’s unfounded entitlement that they win everything not yet quite in full view.
The clothes would suggest very late 70s or the early 80s. I vividly remember my mum asking me if I wanted ‘flares or drainpipes‘ when she was ordering my new school trousers from the catalogue. “What are flares?” I asked in all innocence, before, once she’d shown me the picture, I very quickly ensured she ordered drainpipes, and only drainpipes. In an era of 2 Tone and Madness and, yes, Baggy Trousers, if you wanted to avoid merciless slaggings and a lifetime of misery, drainpipes were the only obvious choice.
The wee guy side-on at the front, in his grey Harrington and grown-out suedehead is, I’d imagine, no stranger to the back catalogues of both the Nutty Boys and The Specials. His pal, a dead ringer for a young Roy Aitken as it happens, in the home-knitted Celtic jumper has pulled a proper ‘whityegauntaedaeabootit?‘ sneer on his face, purely for the benefit of the photographer, a gaffer ensuring every one of his troops makes it safely over to the other side. Wee bams, and brilliant with it.
The Hampden terracing was quite the place. For someone small like me, it could be exhilarating and terrifying in equal measure. Glimpses of the pitch, let alone the actual ball, could be few and far between, the abstract and abrupt swearing, the aw ayes and aw naws providing you with the necessary running commentary in lieu of the actual game. “Great ball Souness that’s shite!” is the one I remember the most, remonstrated from the North Stand during a Scotland V Wales qualifier sometime around 1985. The smell of cigarettes and alcohol and piss hung heavy in the nostrils while your feet hung hopelessly in the air. From first whistle to last, the Adidas Kicks would rarely touch the ash. If there was a goal – and in the 80s, when Scotland fielded teams of world beaters there were always goals – there’d be a massive surge; a tidal wave that started from front and back and all sides simultaneously, and you’d be swept along in its soup-stirring free-flow, down ten or more rows before being jarrred swiftly to the right or left or both then back again, like a giant man-made spin cycle that always, always, returned you to where you’d been standing (floating) before the goal had been scored. You might lose your pals temporarily, but everyone’s your pal when Kenny Dalglish has just swerved in Scotland’s third of the night v Spain.
By the mid 80s my pals and I were going to Hampden ourselves. I say ourselves, but the truth was, Irvine Rugby Club ran a minibus to Hampden and, organised by someone our dads knew, we’d get to go to the game on the bus with them. What our parents never knew was that the bus would park somewhere near the Church On The Hill pub, and while all the men nipped in for a quick pint before the game, we’d get all gallus and, visibly growing a couple of inches, swagger the mile or so to Hampden by ourselves, take in the game then swagger back along the shadowy streets of Glasgow’s southside to the bus again. Semi-free small-towners from the Ayrshire sticks, we’d never have had the nerve to loup the wall like those boys in the photo. Let’s not kid anyone on here.
One particular game (v Romania possibly) stood tip-toed on the North Stand is memorable not for the box-to-box penetration happening on the pitch in front of us but for the ball games happening behind. “Stephanie, Stephanie…c’moan, it’s ma turn!” said the guy in the tight Souness perm, moustache ‘n all, as he and his two pals took turns at disappearing down the ash path and behind the stand with a young woman wearing a tartan scarf and a Crombie and quite possibly nothing else.
He shouts, he scores, to paraphrase.
Like those wee boys in the photo at the top, or or those wee blue disabled cars behind the goals, not the sort of thing you’ll see at the football anymore.
Echo and the Bunnymen – Over The Wall (Peel Session 22.5.80)
From a similar time and place, here’s Echo and the Bunnymen‘s Peel Session version of Over The Wall. Del Shannon via The Doors, filtered through era-defining hair and total self-belief. A bit like that Scotland squad of the times…and the wee guys in the picture at the top.
Plain Or Pan 