Cover Versions, Gone but not forgotten

Glo-Ho-Ho!

‘Tis the season to be jolly…..

Elastica tend not to appear on many of the lists that constitute the Best Christmas Songs In The World…Ever. Back in 1995, only a year or so since they’d been ever-regulars on the covers of the music press yet long enough to have found them residing in the same ‘remember them?‘ category previously kept warm for them betwixt debut and follow-up album by the Stone Roses, they recorded a BBC Session for Mark Radcliffe that included a loose cover of Ding Dong Merrily On High.

It’s loose in all manner of the word. A band plagued by serious, secretive drug addiction could hardly put their name to a song called Ding Dong Merrily On High. And rather than run through a facsimile of the winter favourite, they instead rewrote most of the words, played the recognisable Christmas carol melody on gnarly bass and, with a nod and a wink to Patti Smith, kept the Latin chorus intact and renamed their version Gloria.

ElasticaGloria

It’s not bad in an arty, angular sort of way. Guitar strings scrape, the drummer keeps enthisiastic metronomic precision and Justine sulks her way through it doing her best Mark E Smith impression from behind her swinging, shining indie fringe. I wonder if they’d heard The Fall’s Christmas Peel Session by this point?

That’s a rhetorical question by the way. Of course they had.

Recorded around the same time as Elastica were the hot new thing, The Fall‘s Peel Session from December ’94 was notable for two things; One: The band did not one but two faithful, in a Fall kinda way, versions of Christmas standards. Two: The expanded line-up of The Fall at the time featured the glam-tastic sight and sound of two drummers, a shrivelled liver Glitter band for old post-punkers everywhere. Karl Burns was welcomed back into the fold and onto the drum stool after a 9 year absence alongside Brix, last seen on Fall duty 6 years previously.

Like malt whisky, that other great festive favourite, I find my appreciation for The Fall grows with each passing year. I discovered them around the time of Extricate and flirted with their back catalogue from thereon in, but it never really grabbed me in the way that I know it grabbed others. I admire them greatly though, whether they’re sawing their way through Eat Y’Self Fitter or going full-on garage band for their essential take on Mr Pharmacist or keeping it sparse and minimal on Hip Priest or spitting their way through Spoilt Victorian Child or….y’get the idea. There’s a Fall that’s suitable for everyone. It just takes some folk a while to find it.

The larger line-up in 1994 fairly suits the music. They bite and snarl their way through a daft version of Jingle Bell Rock, one-fingered keyboard parping the melody, lyrics changed to suit Captain Mark’s mood, the groop bottling the Christmas spirit in barely over a minute.

Hang on a minute! Christmas song done in band style? Rewritten lyrics?! BBC sesssion?!? I wonder where Elastica got that idea? They even nicked the snappy rattle of The Fall’s drum beat for their Christmas tune. They were never the most original of bands, Elastica, but then, you knew that already.

The FallJingle Bell Rock

Post Office rot in hell, Friday night on Oxford Street,

All walking with green M&S bags, join them up with old beef and sprouts,

That’s the Jingle Bell Rock.

Not quite yer finger-poppin’, frost dusted holiday hit first crooned by bobby soxxer favourite Bobby Helms. That’s the Jingle Bell Rock indeed. And who’s complaining?

Cover Versions, Sampled

Nick Wire

With their jagged, juddering, short, sharp, post-punk riffs, Wire were always ripe for rip-off. And so, along came Elastica

Three girls, one guy and a couple of borrowed Wire tunes:

  • Justine Frischmann. Brash, floppy-fringed, posh-parented and on/off squeeze of both Damon Albarn and Brett Anderson simultaneously. Charmingly, one would leave love bites on her backside for the other to find. But you knew that already.
  • Donna Matthews. Pouting, doe-eyed indie-boy poster girl who’s guitar always looked a bit too big for her.  Partook in way too much heroin.
  • Annie Holland. Razor-cheekboned bass player. The quiet one.
  • Justin Welch. Clem Burke-esque drummer who belched his way through Top 20 hit Line Up. Also partook in too many pills ‘n powders.

elastica signed

With their classic 2 guitars, bass and drums set-up and songs pilfered from post-punk’s recent past, Elastica were no different at all from any other provincial rehearsal room band. They were formed by Frischmann after she advertised for musicians ‘influenced by The Fall, The Stranglers, and Wire’, (something that would come back to haunt them) and when they came on the scene, the London-centric media held them up as the next big thing, helped in no small way through an endorsement by King Steve of Lamacq, Radio 1 DJ, label boss and indie uberlord. Elastica received far more column inches in the music press than any new band really had the right to. Rave review followed rave review. Cover followed cover. The public bought it and before you knew it, Elastica were the next big thing.

elastica

They couldn’t handle it though.  The simple ratio of too many drugs and not enough songs caused the band to implode. For Elastica, it would be a long stretch (aye!) before their second, long-since forgotten about LP.  5 years it took them to release it (a lifetime in the fickle, fad-dominated world of pop music), hot on the heels of a gap-filling mini LP of sorts. Then nothing.

elastica connection

Back to the debut album though. It fizzes with gay punk-pop abandon. Choc-full of those jagged, juddering, short, sharp post-punk riffs. Connection was the biggy. Number 17 with a bullet and proof, if any were needed, that Elastica were a bona fide chart success.

Proof, too, that Wire‘s Pink Flag LP was a regular rotator on the Elastica turntable. Here’s Three Girl Rhumba. The thieving mapgpies.

elastica line up

The belching drummer-enhanced opener Line Up was another.

Ever heard I Am the Fly by Wire? (Wait for the chorus…)

Elastica certainly had. The thieving magpies.

stranglers

Another crime was committed in the name of biggest hit single Waking Up, it’s twanging see-saw riff and chord structure totally ripping off The StranglersNo More Heroes.

Elastica just about stopped short of adding a bouncing Farfisa, but they were fooling no-one.

elastica waking up

And there are others. The album’s S.O.F.T. somehow manages to sound like most of The PixiesDoolittle LP in less than 4 minutes.  Vaseline‘s chorus could be Debbie Harry’s finest moment. Pop pilferers who got lucky. That just about sums Elastica up. Both The Stranglers and Wire secured out-of-court settlements for all of Elastica’s sticky-fingered troubles. Quite rightly too. it just goes to show, recycle any old tosh from the past and if it’s presented as the best thing ever since the last best thing ever, the gullible will buy it. You should seek out Wire’s Pink Flag if you haven’t heard it, though. You’d like it. S’a cracker.

Wire-1977-Pink-Flag

*Elastica Trivia!

Countdown fans may be able to work this out quicker than others, but who d’you think played keyboards on half the tracks on the first album? T’was none other than Dan Abnormal. Think about it…