Dylanish, Hard-to-find, Most downloaded tracks

Yesterday’s Papers – The Cat In The Brand New Leopard Skin Pill Box Hat

Yesterday’s Papers is my way of infrequently getting new life out of carefully selected old posts. It’s terrific that new readers seem to find Plain Or Pan on a daily basis and often request particular pieces of music which, for one reason or another no longer have working links. There’s also some stuff on here that I, being vain and narcissistic, still enjoy reading and, even though I would like to take an editor’s pen to the text and re-write much of it, I think new and not so new readers might enjoy reading it too.

Every Yesterday’s Papers post is presented exactly as it was written when it first appeared on Plain Or Pan, apart from the odd spelling mistake or grammatical error that escaped my editorial eye first time around. Oh, and the links to the music have all been updated too.

First appeared July 2, 2008

Got the new issue of Mojo through the letterbox today and amongst the usual excellent mix of articles, I spotted a wee nod to ‘Dylan Hears A Who’. This was a project that I stumbled across quite by accident about a year ago, where a couple of guys recreated Bob Dylan‘s golden mid-6os period with the most authentic-sounding band ever, playing songs who’s lyrics are made up entirely from words and phrases taken from the writing of Dr Seuss. It has to be heard to be believed, but trust me, the album is easily one of the Top 3 things I’ve ever downloaded. Even the artwork is beautifully pastiched…

According to Mojo, mp3′s of ‘Dylan Hears A Who’ are hard to find. A bit of poking around on the internet shows this to be true. Dylan loved the music  – there’s faithful pastiches of ‘Ballad Of A Thin Man’, ‘Tombstone Blues’, ‘Queen Jane Approximately’ and much more, but the dylanhearsawho website was shut down on the instructions of the Dr Seuss estate. Booooo! Pastiche fascists! So a year late, I’m posting it here. Artwork is included!

The Cat in the Hat

There’s something happening here and you don’t know what it is? Try before you buy!  Here‘s the aforementioned splendid take on ‘Tombstone Blues’, entitled ‘Green Eggs & Ham’. See what I mean? Now go and download the whole lot. You won’t regret it. ‘Too Many Daves’ sounds like one of those hotel room tape recordings that Bob fans go mental over. I’d forgotten quite how good Dylan Hears A Who actually is. Thanks, Mojo. Now. What are you waiting for?

Get This!, Gone but not forgotten, Hard-to-find, Most downloaded tracks, Yesterday's Papers

Yesterday’s Papers – Coke After Coke After Coke After Coca Cola

Yesterday’s Papers is my way of infrequently getting new life out of carefully selected old posts. It’s terrific that new readers seem to find Plain Or Pan on a daily basis and often request particular pieces of music which, for one reason or another no longer have working links. There’s also some stuff on here that I, being vain and narcissistic, still enjoy reading and, even though I would like to take an editor’s pen to the text and re-write much of it, I think new and not so new readers might enjoy reading it too.

Every Yesterday’s Papers post is presented exactly as it was written when it first appeared on Plain Or Pan, apart from the odd spelling mistake or grammatical error that escaped my editorial eye first time around. Oh, and the links to the music have all been updated too.

First appeared March 19, 2007

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Hey! Get down! Dig it with the Vanilla Fudge and Coca Cola! My mum tells me that in the swinging 60s, most provincial teenagers never had access to, never mind actually try, the mind-bending drugs that were so obviously shaping music, fashion and the consciousness of society. Instead, the hip, with-it teenagers in my wee corner of the west of Scotland would pop a couple of aspirins into their Coca Cola and swing the night away in a tripped-out approximation of sixties bliss.

Coca Cola were well aware that things indeed go better with a Coca Cola, and their 60′s marketing team were so on the ball that they got the groups du jour to record Coke jingles for local radio and the likes. Most of these jingles are bloody magic. They are quite blatant pastiches of those artists’ current hit singles and fall into 3 distinct categories:

  • 1. The soul/r’n’b artist – Aretha Franklin, Marvin Gaye & Tammi Terrell, Carla Thomas, The Supremes, Otis Redding, Ray Charles etc etc
  • 2. The fuzzed-out, beat-driven, blues-influenced garage bands – The Who, Vanilla Fudge, Troggs, Box Tops, Dave Dee Dozy Beaky Mick & Titch (so that stretches it a bit, but you get the point)
  • 3. The pop stars/crooners – Bee Gees, Lulu, Roy Orbison, Petula Clark, Nancy Sinatra, etc.

Here are three examples of the above. The Who’s Coke after Coke, The Supremes pastiche ofBaby Love and Tom Jones’ rerun ofIt’s Not Unusual that is quite fantastic, hilarious and hideous all at the same time. “Say, I could do with a Coke right now. Somebody get me one please?” The big orange freak.


Did someone order a Tango?

I’ll put up more of these soon. Next up Otis Redding, Aretha Franklin, Nancy Sinatra, Vanilla Fudge, any requests…..

Cover Versions, demo, Double Nugget, Dylanish, elliott smith, Get This!, Gone but not forgotten, Hard-to-find, Kraut-y, Most downloaded tracks, New! Now!, Peel Sessions, Sampled, Six Of The Best, Studio master tapes, studio outtakes

I Got 5 Years Stuck On My Eyes

I got 5 years, what a surprise!Five Years‘, Bowie’s opening track on the Ziggy album ends with that afore-mentioned refrain. But you knew that already. You might also know that Plain Or Pan has now been going for 5 years. Or you might not. Either way, thanks for visiting time and time again. Whether you’re one of the few who choose to ‘follow this blog’ or you’re one of those misguided creeps who ended up here via Google after searching for ‘Teenage Fanny‘ and got the Bellshill Beach Boys instead, those visits (and the numbers they register behind the scenes in the Plain Or Pan office) are what keeps me a-writin’ and researchin’. Not as often as I’d like to, but as someone commented some time ago, “One good post a week is better than 7 posts of shite.” I might be paraphrasing there, but you get the idea.

As is now customary at this time of year, my team of office monkeys gather up all statistical information made available to them and compile a couple of CDs worth of the year’s most popular downloaded tracks and painstakingly create a groovy cover that goes with it. This is not a quick process. Hours are spent refining and re-refining running orders. At least 14 different covers are produced before a carefully-selected random sample of Plain Or Pan’s target audience (that’s you, that is) choose the cover that speaks most to them. This year is slightly different. The office monkeys have gone on strike (they mumbled something about pensions) and time is at a premium (ie, I don’t have any). The tracks, 2 CDs worth are here. The artwork, not your normal CD cover, more of an image that you can use as cover art in iTunes or however you listen to music on your computer, is there, above this paragraph (right click, save as etc etc). The tracklist? I don’t have one. This year you can choose your own running order from the following:

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John Barry – Midnight Cowboy

King Creosote – Home In A Sentence

The Smiths – How Soon Is Now? (Rare Italian pressing)

Gruff Rhys – Shark Ridden Waters, which samples….

The Cyrkle – It Doesn’t Matter Anymore

Midlake – Branches

Elliott Smith – Alameda

Peter Salett – Sunshine

Mott The Hoople – Walking With A Mountain

Primal Scream – Jailbird (Kris Needs’ Toxic Trio Stay free mix)

Primal Scream & PP Arnold – Understanding (Small Faces cover)

Ride – Like A Daydream

The Wildebeests – That Man (Small Faces cover)

Dion – The Dolphins (Tim Buckley cover)

Darondo – Didn’t I

Edwin Starr – Movin’ On Up (Primal Scream cover)

Shellac – My Black Ass

The Rivingtons – Papa-Oom-Mow-Mow (the building blocks of Surfin Bird)

The Survivors – Pamela Jean (Brian Wilson recording)

The Heavy – How You Like Me Now? which heavily ‘borrows’ from…

Dyke & The Blazers – Let A Woman Be A Woman (Let A Man Be A Man)

The La’s – Come In Come Out (John Leckie mix)

The Girlfriends – My One And Only Jimmy Boy

The Whyte Boots – Nightmare

James Brown & the Famous Flames –I’ll Go Crazy

The Jim Jones Revue – Hey Hey Hey Hey, cover of….

Little Richard – Hey Hey Hey Hey (false start take)

Suede – The Wild Ones (unedited version)

Lee Dorsey – Holy Cow

Fern Kinney – Groove Me

Aretha Franklin – Rock Steady (alt mix)

Jackson 5 –  I Want You Back (Michael’s isolated vocal – dynamite!!!)

Reparta & the Delrons – Shoes (the inspiration for The Smiths’ A Rush And A Push…)

Dusty Springfield – Spooky

She & Him – Please Please Please, Let Me Get What I Want (Smiths cover)

John Barry – The Girl With The Sun In Her Hair

A fairly representative selection of what Plain Or Pan is all about, you might agree. In other words, a right rum bag of forgotten classics and demos and cover versions and alternative takes and studio outtakes and the rest of it. Outdated Music For Outdated People right enough.

Missed any of these legendary compilations?

Here‘s the first 2 years, 2007 & 2008

Here‘s 2009’s

Here‘s 2010’s

Download ’til yer heart’s content!

Cover Versions, demo, Get This!, Gone but not forgotten, Hard-to-find, Most downloaded tracks, Studio master tapes, studio outtakes

Olaf, You’re Playing Catch-Up!

Going For Gold was a quiz show that ran for about 10 years between the mid 80s and mid 90s, broadcast usually after the lunchtime episode of Neighbours. Contestants came from all corners of the European Community to be asked general knowledge questions (in English) by genial Irishman Henry Kelly – “Who am I? I am an inventor. I was born in Scotland in 1869.” etc etc. What always amazed me about the show was that all contestants could understand and answer the questions in English. Indeed, Olaf from Finland and Gretchen from Germany always, always had a better grasp of the English language than Sue from Sussex and Karen from Coatbridge. In the final round, one contestant had control of the board and Kelly would always say to their opponent, “You’re playing catch-up!”

Once a year I like to round up some of the best music on Plain Or Pan and put it centre-stage for a second time. I like to think all the music I put on here is fantastic in it’s own way, but there are some things that are downloaded/searched for/requested far more regularly than others. The search facility about half-way down on the right there works fairly well (try it!), but I appreciate that sometimes it’s nice to have things put on a plate for you. If you’re a relative newcomer to this blog and you’re not sure what you may have missed out on, this post is for people like you. As Henry Kelly would say, “Olaf, you’re playing catch-up…

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Who am I? I am a singer-songwriter. I started out my career singing doo-wop with a vocal group known as The Moonglows. When they broke up I began playing as a session drummer at Motown Records before stepping out from behind the kit and standing in front of the microphone. In my time at Motown I added an ‘e‘ to the end of my name, recorded many memorable solo tracks and duets, changed the way the record company viewed the merits of albums and married and divorced the boss’s daughter, resulting in one of the bitterest break-up albums of all time. Who am I? I am Marvin Gaye. And these are the unedited studio master tracks for I Heard it Through The Grapevine. Original article here.

How about some more Motown vocal-only tracks? Get them via here. Want more of this sort of stuff? Search ‘studio master tapes‘ in the ‘whityeherefur?‘ box over there on the right…

What am I? I am another studio outtake. I am a famous song by a famous band, some say that band’s best track (although you could easily argue the case for many of their other records.) Rolling Stone magazine (there’s a clue right there) put me at #38 in their list of Greatest Songs Ever in 2004, which makes me just better than Buddy Holly’s That’ll Be The Day but not quite as good as No Woman, No Cry by Bob Marley. My lyrics predict rape and murder and are a fitting epitaph on the death of the 60s which is just a shot awayWhat am I? I am Gimme  Shelter by The  Rolling Stones. Here is the astonishing Mick ‘n Merry vocal-only track. And here is Keith’s rather groovy lead guitar track. Original article here. Sit down before listening, you may just be blown away.

There’s some terrific Curtis Mayfield stuff via here and here. And there’s some excellent Sly Stone stuff here and here. There’s a whole lotta soul on Plain Or Pan. Whiteyeherefur? Use it!

It’s well documented that Led Zeppelin didn’t so much re-write the blues as nick it riff by riff. Rape and murder, indeed. Compare Jimmy Page’s Dazed and Confused to the relatively-unknown Jake Holmes’ version here. I often contrast and compare the merits of originals v covers v blatantly plagiarised words and music. Type ‘double whammy’ or ‘triple whammy‘ into ‘Whiteyeherefur?‘ and see what you can find…

I could go on and on. Or you could use the ‘Whityeherefur?’ facility. Or you could just go through month-by-month, year-by-year. It’ll take you a while. But then, it’s taken me a while too. Last year’s round-up of all things good about Plain Or Pan can be found here, including links to Johnny Marr’s Dansette Delights, The Ronettes vocal-only version of Be My Baby and the now-legendary Plain Or Pan Compilation CDs. So much to choose from, so much to grab. Go! Go! Go!

Cover Versions, demo, Double Nugget, elliott smith, Get This!, Gone but not forgotten, Hard-to-find, Kraut-y, Most downloaded tracks, Peel Sessions, Sampled, Studio master tapes, studio outtakes

Four Play

Amazingly or not, ye olde Plain Or Pan is now 4 years young. This year saw the double-whammy milestones of reaching one million visitors and, on a personal level, having my writing recognised to the extent that I was invited to interview Sandie Shaw in advance of her appearing at the summer’s Vintage At Goodwood festival. My interview was subsequently published in the hardback Annual that festival goers could buy at the event. Which was nice.

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As has been something of a tradition at the start of a year, I’ve put together a compilation of the most downloaded tracks over the past year – 2 CDs worth of covers, curios and hard-to-find classics. I like to think of it as a potted representation of what Plain Or Pan is about.

Tracklist Disc 1:

Jackson 5 I Want You Back acapella

Dean Carter Jailhouse Rock

Frankie Valli Queen Jane Approximately

Chris Bell I Am The Cosmos

Pete Yorn & Scarlett Johansson I Am The Cosmos

Scott Walker Black Sheep Boy

Tim Buckley Dolphins

Sandie Shaw I Don’t Owe You Anything

Big Maybelle 96 Tears

Patti Jo Make Me Believe In You

Curtis Mayfield (Don’t Worry) If There’s Hell Below We’re all Gonna Go (takes 1& 2)

Brinkley & ParkerDon’t Get Fooled By The Pander Man

Sly Stone Time For Livin’ (early version)

Maggie Thrett Soupy

Sheila and B. Devotion Spacer

Happy Mondays Staying Alive

Aretha Franklin / Duane Allman The Weight

Funkadelic Maggot Brain (alt mix)



Tracklist Disc 2:

Spiritualized Can’t Help Falling In Love

Serge Gainsbourg Melody

Stone Roses Something’s Burning (demo)

Can I’m So Green

Alex Chilton My Baby Just Cares For Me

Elliott Smith I’ll Be Back

The Czars Where the Boys Are

Peter Fonda November Night

Beach Boys Never Learn Not To Love

Charles Manson Cease To Exist

Wedding Present Happy Birthday (Peel Session)

Penny Peeps Model Village

The Stairs Woman Gone And Say Goodbye

Kinks Sittin’ On My Sofa

Ramones Judy Is A Punk (1975 demo)

Capsula Run Run Run

White Stripes Party Of Special Things To Do

13th Floor Elevators Slip Inside This House

Jake Holmes Dazed & Confused

White Antelope Silver Dagger

Arcade Fire Poupee de Cire, Poupee de Son

The Velvelettes Needle In A Haystack acapella

Each disc comes packaged as one big downloadable .rar file, complete with artwork.

If you’re new here, welcome and happy downloading! If you’re a regular here, you may have some or all of these tracks already, so why not download anyway and burn a CD for someone who might appreciate it?

Gone but not forgotten, Hard-to-find, Most downloaded tracks, Studio master tapes, studio outtakes

Gold! (Gold!) Always Believe In Your Soul!

You’re indestructuh-buh-uhl etc etc.

The internet is full of gold. Look in the deepest, darkest corners and all sorts of fantastic stuff awaits you with a nod and a wink and a glad-you-found-me smile.  Without the internet, I wouldn’t have learned to dance like James Brown (thank you, You Tube). I’d never have seen Stevie Wonder doing Superstition on Sesame Street (Thanks again, You Tube). I’d never have heard those rip-roaring Sgt Pepper master tapes (still available here) that caused Plain Or Pan to go into some sort of meltdown for a few of days a couple of years ago.

One story goes that the record companies are all in a  panic over the state of many of the master tapes in their posession. The original tapes have over the years been rendered gossamer-light and wafer-thin through combinations of repeated reissues/remasters/remixes and plain old neglect. In an attempt to preserve these original recordings as best they can, the labels have started transferring the original master tapes onto digital files, where they can be kept box fresh for as long as they want (you’re indestructuh-buh-uhl and all that, or at least until someone discovers that digital files also have a sell-by date). Being made digital also means that as soon as they’ve been converted, some kind soul sticks one or two teasers out into the ether and stirs up a bit of a feeding frenzy amomgst yer more savvy downloaders. It would appear that none other than the good folks at Motown (yes!) have decided to preserve their archives in this way and, thank you Lord, someone has seen fit to leak some of these masters online. A year or so ago I posted the master tapes to Stevie Wonder‘s Superstition and Marvin Gaye‘s Heard It Through The Grapevine. If you liked them, you’ll love these…

A 15 year old Stevie Wonder belting out Uptight (Everything’s Alright) like his life depended on it.  Crystal clear with just a touch of reverb, this is the music-free vocal track. Comes complete with all the gaps and pauses for you to fill in the horn parts yourself. Listen out for his wee laugh when he cracks up towards the end. Gold!

Michael checks his latest royalty cheque. Older brother isn’t reading a text from Berry Gordy. It’s 1971.

What happened to Michael Jackson? I mean, what happened? When he died, the TV showed a brilliant black and white clip of The Jackson 5, young Michael at the front boppin’ and a-poppin’  in slow motion to this track. Here for you is the vocal-only track of an 11 year old (11 years old!) Michael Jackson singing I Want You Back with absolute total abandon. By the time he gets to the end, his voice has almost gone but he’s still going for it with those wee ‘uhs‘ and ‘huhs‘ that would later develop into crappy girly yelps. No wonder Jarvis Cocker kicked his arse all those years later. Gold!

I’ve posted Marvin Gaye studio stuff before, but never this. It’s only the vocal-only track of What’s Going On! Just Marvin double-tracked and duetting with himself through the slickest protest song ever written. The middle section where he scats and shoobee-do-bops is outrageous, something I’d never really noticed in the finished record, given that the middle part is packed full of sweeping strings, bongos and kitchen sinks full of Funk Brother riffs. Gold!

I’ve also posted versions of The TemptationsPapa Was A Rolling Stone before, but again, not this – the vocal-only track. Written by regular Motown producer Norman Whitfield, the vocal group didn’t really like his instrumentation. Vocalist Dennis Edwards didn’t like the autobiographical (he thought)/coincidental (Whitfield claimed) “...3rd of September” line, given that that was the day Edwards father had actually died. Whitfield made him sing the line time and time again until he got a take filled with the right amount of anger and frustration. I’m not sure who the dude doing the bass vocal part is, but be careful, he might just shake your fillings loose. Here too, is the vocal-only track of Ball Of Confusion. Gold x 2!!

Theres tons of this stuff out there. I probably should keep these back, there’s about a month’s worth of posts here….

The Spinners vocal take of the Stevie Wonder-penned It’s A Shame. Gold!

The Four Tops vocal take of Walk Away Renee. Gold!

The Velvelettes vocal take of Needle In a Haystack. The handclaps don’t stop from start to finish! Gold!

Smokey Robinson & the Miracles vocal take of Tears Of a Clown. Gold!

Diana Ross & the Supremes vocal take of Baby Love. Gold! (New link 15.10.10)

Cover Versions, Football, Hard-to-find, Most downloaded tracks

Ramble On

One of the greatest pleasures in this blogger’s life is the daily digestion of blog stats. At any given time I can see who’s visited here, where they’re from and what the most popular posts and downloads are (currently the Jake Holmes/Led Zeppelin one). I can also see who’s Googled what and arrived at Plain Or Pan either by sheer good luck or misfortunate malapropos. Current visitors include those looking for What Brand Of Cigarettes Does Keith Richards Smoke?, Pain or Fantasy and my favourite, African Jungle Horse Sex. I can just about understand why trouser arouser browsers looking for Teenage Fanny are directed here. I just hope the sad old bastards leave with a new-found appreciation of the Bellshill Beach Boys chiming guitars and honey-coated harmonies. But don’t stand anywhere near me at the next TFC gig, or you might just get a punch in the face. OK? I wrote something about the Stone Roses a wee while ago that said the bassline on Something’s Burning sounded like it came from the heart of Africa itself. And a long while ago I wrote about Johnny Wakelin’s In Zaire being total jungle funk, but how Google pointed a slevvering sexual deviant looking for quirky equestrian delights towards this mighty fine site four times in one day is beyond me.

Off course, there’s an underlying seriousness to all this. Clearly, people are using the internet for purposes other than tracking down obscure records by musicians only a handful of people have heard of. Whodathunkit, eh?

On a lighter note, the football transfer window closed at midnight on Tuesday night. This is a nerve-wracking time for fans of any club, but especially for fans of the less-fashionable, poorer clubs. As a Kilmarnock fan I’ve had to endure the pain of seeing our star players being snatched away from us at the stroke of midnight by ‘Sir’ Walter Smith and his satanic promises of first team football and the chance to wear the badge of the team they’ve “always supported since I was a wee boy“. To be fair to my club, the last time this happened they held out spectacularly for a decent sum (£2 million I think) for Steven Naismith. But this was only after failing miserably to command a fee any greater than £400,000 (to be paid in instalements, not even in the one go) for the services of Kris Boyd the season previously, a player who went on to score about 17 gazillion goals over the next few seasons (many against us), helped his team to a European final and cemented his place in the Scotland team, before getting his dream move to a bigger club. That’s Middlesborough, if you didn’t know.

The internet was buzzing on Tuesday night. Fans forums were in meltdown as everyone logged on trying to find the truth amongst the rumours, the rubbish and the rest. This year’s big worry was whether or not our star midfielder and captain, Craig Bryson, would be off to join up with recently departed Killie boss Jim Jefferies at Hearts. The rumour mills were in over-drive. At various points leading up to midnight he was at Tynecastle undergoing a medical, he was being sold for £400,000, he was being sold for £200,000 plus a player in return. At one point he was even off to Ipswich. Truth is, none of this was correct. By midnight, Hearts had had a couple of cheeky bids knocked back and Bryson remained with us.

Amongst all the Bryson rumours was a rumour about another player joining Hearts. Every team has fans’ favourites. Maybe not the most technically gifted set of legs in the team, but the one with the biggest heart, worn on the sleeve with pride. The player who’s first to question the referee’s authority whenever he feels a sense of injustice. The player who’ll give away the ‘clever’ foul and take the ‘clever’ booking for the team. The player who kisses the badge unironically cos he means it (maaaan), the player who, when a goal is scored, is the first to run to the crowd and not his teammates to celebrate, a player who can whip up a frenzy of excitement on the terracing by the sheer mention of his name.

At Killie, Manuel Pascali is that player. A tough, no-nonsene pro he breaks down attacks with a crunching tackle before distributing the ball wisely to a team mate. Not wisely distributing. That would infer that he’s incapable of anything other than giving the ball to a teammate to do the hard bit. No. I mean distributing the ball wisely, whereby at lightning speed he assesses the situation and from all his options picks out the best pass that’ll put his team on the offensive. He’s a bit like one of those Dutch or Spanish holding midfielders that slugged it out in that tetchy World Cup final a couple of months ago. Only not as good, or he’d be at a bigger club. Which takes me back to transfer deadline day and stupid rumours. Not only was Bryson going to Hearts, Pascali was off too! In fact, he was currently undergoing a medical and was about to put pen to paper. Noooooo! This was a disaster! While we were getting all hot under the collar about our star midfielder, our old manager had only gone and thrown a cat amongst the pigeons by pinching Pascali from right under our blue and white noses. Manu! How could you? Except, of course, he hadn’t. As all this drama was unfolding on the football part of the internet, over on the social networking section my close personal Facebook friend Manu Pascali was exclusively revealing we were  not to worry, that he was sitting “at home watching a DVD” and that he was “Killie Til I Die!” Heroes, eh? Dontcha just love ’em?

Also over on Facebook, another friend had posted a video of lost Talking Heads‘ classic This Must Be The Place (Naive Melody). I’ve got Arcade Fire doing that I said. What, with their quirky nature and choice of instrumentation, it’s a song that suits them perfectly. So, for you, Mr Big Stuff and any other Arcade Fire fans (and there must be a fair few, given that they’re currently (ahem, cough) burning up the charts, here’s some rare Arcade Fire.

This Must Be The Place (Naive Melody) (taken from a 2004 CBC Radio 3 Studio Session)

Cold Wind (from the Six Feet Under TV series soundtrack)

No Cars Go (from the 2003 and re-released in 2005 Arcade Fire ep)

Poupee de Cire, Poupee de Son (Serge Gainsbourg cover, released on one side of a joint tour 7″ single with LCD Soundsystem. Sung in French. Or is that French Canadian?)

And if you haven’t done so already, you need to try this. Arcade Fire video +  Google earth images of your address + some animated birds = pretty fantastic viewing experience. Warning – takes a wee bit to load. But it’s worth the wait.