Hard-to-find

Free music DVDs? It’s a sign o’ the times!

Prince has gone and done it again. Hot on the heels of giving away his new album with the Mail on Sunday, he’s only gone and let this Sunday’s Observer give away the brilliant 1987 concert movie of ‘Sign O’ The Times’. I for one will be rushing out to buy one of the only 2 or 3 copies of the Observer from the local Spar.

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I’ve been going through a wee Prince phase recently, as about a month or so ago I downloaded a 4CD bootleg of the Sign O The Times Tour Rehearsals from Dimeadozen. Some of it is absolutely fantastic and some of it is jazz shit/shit jazz. Here are some of the best bits.

Sign O The Times. Extended intro. Instructions to the band. Guitar wah-wah’d to death. As the man himself says, Oh Yeah!

1999. Stay with the drums. Make it tight and funky. Boom Boom! Sounds a bit like James Brown. Also sounds like a rehearsal. It would’ve been alright on the night, no doubt.

Kiss. Uh! Gimme the horns ‘gain. This veers close to jazz shit/shit jazz. Not a patch on the single version, but kicks the arse out of Tom Jones’ version. Of course.

U Got The Look. 2, 3, huh! No Sheena Easton on this one. I assume it’s Sheila E who sings her part here.

Starfish & Coffee. My favourite track from the original album. Complete with bum note at the start (“Nice goin’! – Sorry ’bout that!”) Great vocal on this one. And great backwards-sounding drums.

Let’s Go Crazy. Dearly beloved, we are gathered here today to get through this thing called…shows. Listen out for the blank bits. Those ‘spontaneous’ audience participation bits are actually well-rehearsed. Who’d’ve thought it?! Listen too for Prince’s guitar. Bloody brilliant. Distorted and rocked out. His Boss Digital delay pedal must’ve gone through an awful lot of batteries. Great ending.

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* Next week’s Observer on Sunday is giving away Talking Heads ‘Stop Making sense’ concert movie. Holy moly!

Hard-to-find, Peel Sessions

Oranj Peel

So, T in the Park came and went, and going by what I watched on telly it was just like Glastonbury with kilts on. The same acts, the same sets, the same presenters, the same mud, the same audience. The same pish if you ask me. Wean’s World.

It’s hard to come up with any highlights from T, but if there was one it would be the faux pas the singer from Arcade Fire (Wim Butler) made. Telling the crowd that the band had stayed in Glasgow the night before their slot he went on to say, “What the fuck was that parade all about? It was awesome. You guys really know how to play a snare drum.” Cue much booing and many  “Get tae’s!” from the soggy masses. It turns out Mr Butler and co had just witnessed their first orange walk. What a walk to witness as well. Given the date at the weekend, it would have been the big one.

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The phenomenon of the orange walk may be unfamiliar to some of you so I shall try and briefly explain. In Ireland and in the West of Scotland there is a strong anti-Catholic organisation called the Orange Order. Yes, it’s not just Muslims that get it from us. Anyway, this lot like to remember the Battle of the Boyne which took place over 300 years ago(!) in July 1690, when King William of Orange (King Billy) defeated King James’ and his attempts to regain the thrones in Scotland and England as well as Ireland. Do some googling and you can find out all you need to know. These days, the Orange Order and their associated walks on and around the 12th of July are used by Rangers FC shirt wearing thickos to shout, swear and sing obscenities about Roman Catholics and should really have no place in 21st Century society. That’s why the Arcade Fire were booed. Nice to see the kids of today rubbishing the orange walk. With any luck, these parades will eventually die out, just like my failed attempts here at a bit of political writing.

And now for the music bit. Here’s 4 tenuously-linked tracks related to the 12th of july and it’s associated rubbish…..

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Kicking things off, two Libertines tracks. First, from their much bootlegged Legs 11 demo sessions, Hooray For The 21st Century. Secondly, ‘Boys In The Band‘ from an XFM session 2002 (exact date unknown).

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Next. The Arctic Monkeys got famous on myspace etc and everyone knew the words to all their songs before they were even released. File sharing? Great, eh? Hooray for the 21st century! Here’s their first demo of ‘Scummy Man.

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Finally, the fantastic Fall. Taken from the Complete Peel Sessions Box Set, which you really should own by now, is their ‘Kurious Oranj‘ from the 31st of October, Nineteen Eighty-eight-ah. Trumpets, giant hamburgers and ballet dancing. No-one does it or says it like Mark E Smith.

Pained and intense, man
They were inquiring.
They were Kurious Oranj…
They rode over peasants like you, they rode over peasants like you,
And their horses loved them too, and their horses loved them too.
They Were Kurious Oranj. They Were Kurious Oranj.
They built the world as we know it, all the systems you traverse.
Rode slipshod over all dumbshits.
They were Kurious Oranj…

Hard-to-find

Vanilla Coke

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As requested, here’s the Vanilla Fudge Coke commercial. It’s a wah wah ‘n’ Hammond B3-heavy psychedelic freak out. Reminds me a bit of Deep Purple’s ‘Hush’. I’m not too familiar with Vanilla Fudge, so I’m not sure if this track is a pastiche of one of their other tracks. “20,000 eyes diggin’ Vanilla Fudge onstage with Coke!” Here you go.

Hard-to-find

Coke got soul

Following on from a previous post a while back, here’s more Coke commercials from the 60’s. All soul tracks, all fantastic. 

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Marvin Gaye and Tammi Terrell were well know for their duets (It Takes Two, The Onion Song, You’re All I Need To Get By etc etc). Less well known perhaps is the fact that Tammi rarely ever sang on any of these tracks. A hopeless alcoholic, she was usually replaced by any number of mimicking Motown session singers and no-one knew any better. So I have no idea if it really is her duetting here with Marvin, but this track swings like all those other tracks just mentioned.

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“For the first time, Ray Charles and Aretha Franklin the King and Queen of Soul, for Coca Cola.” This track sounds like they’re singing their hearts out in celebration of their love for one another – “You bring on the good times darlin’ you know that is so” and then you remember they’re singing about a fizzy drink! Sounds great though! Things go better with Coke indeed.

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Otis Redding died way too young. He set the Monterey pop festival on fire. OK, Hendrix may have had yer actual flames on his strat, but it was Otis who had the whole hippy audience eating out the palm of his hand thanks to the inter-racial group (the MGs and the Mar Keys horns) and the sheer dynamism and soulfulness of his performance. You can get the Monterey video from any number of decent online DVD sellers. Do yourself a favour etc etc, and while you’re waiting for it to arrive, hear Otis put his heart and soul into a paen for the sweet taste of Coke here.

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“Joe Tex talks to his baby!” And it’s a bottle of Coke! Pistol crack snare, tight horn section, tickling piano, a conservative bass line and that great Joe Tex vocal on top. Come on baby, let’s go! Here you are Quinny.

Got loads more of this stuff, so let me know what you want to hear next. The Bee Gees? Vanilla Fudge? More Aretha or Marvin? Dave Dee, Dozy, Beaky, Mick & Titch? Who needs gimmicky Coke and iTunes promotions when Plain Or Pan is open for requests…..

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*Added 5.12.07 More Coke tracks here!

entire show, Hard-to-find

TFC @ KEXP

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Teenage Fanclub live on the radio, Wednesday August 3rd 2005, at KEXP in Seattle to promote the release of ‘Man-Made’. What can you say about Teenage Fanclub that’s not been said already? Not a lot, which is why I’ll let the music do the talking this time. This session is an all-acoustic affair, although ‘Born Under a Good Sign’ benefits from some subtle fuzzed-up lead guitar, and sounds like a lost outtake from Forever Changes, or maybe even LA Woman-era Doors. Yep. It’s that good. This session is worth getting just for this track alone. In the interviews, Norman does most of the talking, which veers from golf, to “plodding along” as Teenage Fanclub, to playing dice with the Posies, to not listening to his own records. Not all that exciting, but as far as Teenage Fanclub material goes, you need it to fill the gaps in your collection, at least until their next album or single or song or verse or new chord or something comes out. Haste ye back Fannies, we’re missing you.

All tracks have been seperated, but if you burn them ‘gapless’ in Nero or whatever, you’ll get that full seemless radio listening experience.

 Intro

It’s All In My Mind

Feel

interview

Born Under A Good Sign

interview

Slow Fade

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Insert your own Teenage Fanclub ‘Radio’ joke here:

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Hard-to-find

A potted history of The Primitives

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The Primitives were from Coventry and formed in 1985. They filled the gap post-Smiths and pre-Stone Roses and I bloody loved them. Their first single was ‘Thru The Flowers’ which was released in May of 1986. I’ve got it on super sexy seven inch and I am open to offers. It’s not the same version that appeared on their debut album ‘Lovely’. Initially, they were very primitive and all the songs were noisy and sloppy because that is how they played. The obvious focal point was Tracy Tracy who was cute as cute and looked a bit like Ruth Ellis (the last woman to be hanged in Britain). The others dressed head to toe in black, wore skinny jeans and pointy boots and had Ringo Starr circa 1965 haircuts. Paul the guitarist was clearly in love with Lou Reed and the Velvet Underground and had a great collection of guitars. The band went through more line-up changes than Spinal Tap. The original drummer Pete Tweedie wasn’t very good, so most of their early stuff was actually done with a drum machine (something most people don’t realize) and Pete would play the ride or hi hat. They released six singles with the sixth being a re-recorded version of ‘Thru The Flowers’ before they eventually signed to RCA in 1987.

In 1988 the album ‘Lovely’ was released and it is brilliant. It was a night and day change from their early singles. All of a sudden they knew how to play their instruments. The first change they made was getting rid of Pete the drummer. The other key to their sound was producer Paul Sampson who went back through all their old demos and found ‘Crash’ a song they had scraped. This was their only big hit and became a bit of an albatross for them. You’ve probably heard it. That guy from Busted has got a version out just now. It’s in the new Mr Bean movie. Honestly! Anyway, sales inevitably diminished, and the band continued to release great singles that only myself bought. ‘You Are The Way’ being a fine example. Co-written by Ian Broudie it shoulda been a massive hit. But wasn’t. The hidden jewel in their crown for me though is a track that originally appeared on the b-side of ‘Way Behind Me’ and was re-recorded with the guitarist singing. ‘All The Way Down’ is a brilliant piece of pseudo-Nuggets hammond ‘n’ bongos psychedelia and YOU NEED IT!

Of course, the band eventually petered out. Tracy added her vocals to some generic Ministry Of Sound pish dance track, and Paul is now a graphic designer. Download the 3 tracks above and remember them this way. And get over to Amazon or Play or wherever and pick up their Best Of for about £4.

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tracy tracy                       ruth ellis

Dylanish, Hard-to-find

Pass it on….

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In the 1930’s, Jimmie Tarlton had a tune he played on his guitar called ‘Mexican Rag’. I have read that it was captured somewhere on a field recording (possibly by Harry Smith or Alan Lomax) but extensive googling and raking arond in the depths of file sharing sites has not helped me find it. Anyway, around 1964 Bob Dylan appropriated/liberated/stole it and was caught on tape doodling around with it in the studio. It has since been named ‘Suze (The Cough Song)’, named after Suze Rotolo (that’s her on the cover of Freewheelin’) and due to the fact that he coughs near the end of it, mid-harmonica solo. I don’t think Dylan intended to do much with it but you never know. It sounds a wee bit like ‘Nashville Skyline Rag’, so maybe he kept it in mind for a few years. Who knows? The version I have is a work in progress but it is one of my favourite Bob-in-the-studio moments. Either way, it is a great wee tune that is good fun to pick along with on the guitar. You can get it on CD2 of the Bootleg Series 1-3, or you can hear it here.  

In the best folk tradition, the tune has been passed on and re-named many times, with words added, changed or dropped altogether. The new Elliott Smith compilation ‘New Moon’ has a track called ‘Whatever (Folk Song in C)’ that sounds very similar to Dylan’s tune above. A bit slower and less excitable, it features a fantastic vocal from Elliott. I bloody love Elliott Smith. I love the way his vocals are nearly always double-tracked (just like John Lennon). I love the effortless way he can pick out a tune on his guitar. I love the weird chords he throws in now and again. I love the absolute melancholy of it all. Almost makes me want to take heroin. Why his music is not held in the same regard as Nick Drake’s or even Kurt Cobain’s escapes me. I wish I had got to see him live. I wish I could sing and play guitar like him. I wish he hadn’t stabbed himself to death. Stupid bastard.  The whole ‘New Moon’ album is fantastic. If you like your music downbeat, melancholic and bathed in pathos you need it. ‘Whatever’ is my current favourite track. Get it here. Then get yourself over to Play or Amazon or wherever and get the album.

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elliott smith 1969-2003

Bonus track added: Plain Or Pan’s version of Elliott’s ‘Miss Misery’, the song that won him an Oscar for the soundtrack of Good Will Hunting. Recorded on 4 track, it’s a bit hissy and crackly and I didn’t get the levels quite right. It has a ‘unique’ sound all of it’s own and might well give bedroom singer songwriters a bad name everywhere.

Cover Versions, Dylanish, Gone but not forgotten, Hard-to-find, Most downloaded tracks

The toppermost of the poppermost

Here you go……the Top 10 Plain Or Pan downloads to date.

A cover-heavy Top 10, with a combined total of

4326 downloads!

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My computer is playing funny buggers. Hence the wonky spacing and no numbers 2-10. It’s taken up enough of my time for the night so this is as good as it gets.

You can find out more about these recordings by scrolling through the pages. Or you could just be lazy and download them from here.

Hard-to-find

The Super Furry Animals Are Magic

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A couple of years ago, my mate Quinny casually mentioned that he had once been inside a giant squid costume on stage at a Super Furry Animals Barrowlands show. He used to give out fliers and stuff outside gigs and happened to be in the right place at the right time when the band’s management came along looking for 5 willing participants to wear the suits. They were instructed to walk on at the start of the gig and hold their fist aloft in front of the crowd who would be going bonkers at the sight of what they thought were the band in funny costumes. Quinny said he had to do all he could to stop himself from stage diving. As I said, he mentioned all this to me quite casually one day a couple of years ago, when we were talking about music and he said that he didn’t even like the band! A Jim’ll Fix It moment wasted on a non-believer. I told him they were magic and played him these 2 tracks to try and convert him.

Tradewinds and The Roman Road were both released as b-sides on the singles around the release of the ‘Rings Around The World’ album and were then included as the Tradewinds ep as part of ltd edition versions of the album. They are folky, electronic, a wee bit country, a wee bit sweary (Roman Road is anyway) a wee bit prog and a whole big bit magic. In short, a potted version of what’s great about the Super Furry’s. You’ll like them. Even if Quinny still thinks they’re rubbish. 

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Cover Versions, Hard-to-find

My kinda Persson (ouch!)

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I’ve been hearing a lot of that New Manic Street Preachers single recently, featuring Nina Persson of the Cardigans. It’s not bad, but I’ve heard it all before, and the Manics to me these days are about as relevant as the NME. To these ears it sounds a bit like ‘Little Baby Nothing’ which the band at the time wanted Kylie Minogue to sing on but had to settle for porn star Traci Lords cos Kylie’s ‘people’ had never heard of them. Actually. D’you know what? The new single is bad. It’s really bad. It’s stinkingly bad. It’s boring and repetitive aural wallpaper. Charlotte Church made it sound even worse when she duetted with the band on her teevee show the other week. I won’t be buying it, and while I’m sure there is still a hardcore of Manics fans somewhere, I can’t think of any 20 year olds who’d buy it instead of the latest Muse or Biffy Clyro offering.

But Nina Persson. Raaaaaarrrr. (That’s a cat noise by the way.) Great voice, great face, great rock/pop star. I loved the Cardigan’s ‘For What it’s Worth’. I thought it was the best single never to make number 1. About a year ago, during a hiatus from the Cardigans she acted in a Swedish black and white movie, ‘Om Gud Vill’. You might just have caught it down at your local Odeon. If you did, you would have heard her singing a fantastic version of the White Stripes ‘Dead Leaves and the Dirty Ground’. It’s not much different to the version you are familiar with, but I liked it so much I included it on my Best Of The Year CD that I swap with my friends in our Christmas cards every year. Nerds? Trainspotters? Sad? Yep. Here‘s the cover. And here’s another gratuitous picture of Nina for you.

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