How are your eating habits these days? With COP26 taking place a couple of farmers’ fields and a few country miles over the horizon from my back window, I, like everyone else I suppose, should be making more of an attempt to cut out the red meat. Our eldest is full-on vegetarian, something I’m proud of her for having the conviction to stick to, but it does make dinner time a mess of multi-cooking. As a family we try and have a couple of meat-free meals a week, but we could be doing more. Mike Joyce (clang) told me that when Morrissey (clang!) pointed out to the other Smiths one day that you wouldn’t eat a dog, so why would you contemplate eating a cow, he had no answer to it and turned vegetarian there and then. I nodded earnestly while in a non-preachy way Johnny Marr (clang!!) outlined the benefits of veganism and urged me to “give it a try for a bit“, but an hour later I was in a chip shop stuffing a smoked sausage supper down my brass neck. Shamefully and with a side dollop of regret, I must say, but still…
Someone I doubt very much who, in their early days, gave much thought to being carbon neutral and eco-aware is Robert Plant. Led Zeppelin came galloping into town like the four horsemen of the apocalypse, cruising on the jetstream of The Starship – their own private Boeing 720, crash-landing only to pillage and plunder and play some rock and roll before gallivanting out again in a haze of hennaed hair and the sighing swoons of every female within radius. Simpler times the ’70s, so they say. Eco-schmeco.
I met Robert Plant once. July 1995. I was working for Our Price, helping train the counter staff to use a new-fangled barcode scanning stock control system we’d invested in. The job took me everywhere from Inverness to Leeds and many places in-between. I travelled mainly by rail, read a ton of books as I did so and spent the duration of the job finding out where my £15 a night meal allowance would stretch to best. (The Qismat Tandoori in Elgin, if you’re interested.) In the July I was to go to our new shop at Glasgow Airport and begin training the staff on the ins and outs of our new payolla-proof system. Emptying my bag at my mum’s, I dumped most of the stuff I now deemed unnecessary for my time at the airport, including, crucially, my well-thumbed copy of Hammer Of The Gods, the infamous, unauthorised Led Zeppelin biography that dug the dirt on groupies, snapper fish and the physical and metaphorical muscle of Peter Grant. Of course, the first customer – the first customer! – through the door was only yer actual Robert Plant. As he arrived at the counter and the wee stack of CDs he was buying were being rung through, I engaged him in conversation.
“I’ve just being reading a book about you.”
“Oh yeah?” he said, genuinely interested.
“Yeah… Hammer Of The Gods…” I offered.
“Oh!” he said, with a wry smile, looking straight at me. He didn’t quite twirl those golden curls through his fingers the way he absent-mindedly did mid set in ’73, but he might as well have done. He was still a bit of a looker. The light from the Albert King CD he had been inspecting glinted in his clear blue eyes – rock god eyes that have seen more than you or I will ever see – and he spoke his words of wisdom.
“Yeah… Jimmy didn’t come out of that one looking too good, did he now?!”
It was at this point I was wishing I could get him to sign a CD, but with the counter being small, narrow and unpassable, there was no opportunity to squeeze past the most famous rock star I’d ever met and pick one from the racks. And by now I was cursing myself for having dumped the book from my bag. Then, out of the blue, the girl serving him presented him with the shop’s autograph book. “Yeah, sure,” he smiled, taking the pen she had offered.
Whoever had the foresight to stick an autograph book at the till in an airport record shop deserves a medal for quick thinking. It was full of all sorts – Bjork, Keith Floyd, Robert Downie Jr. There was even a wee Rolfaroo in there. Can we still mention that? Anyway, Robert happily obliged, adding his name in a large, swooping, blue inked signature. I noticed at the time (and can still picture in my head now) that it looked very similar to the ‘ZOSO‘ logo on Led Zep IV. A neat coincidence.
I’m not a rock fan by any means – all that pillaging and plundering and bare-chested daftness and whathaveye – but I do love a good amount of Led Zeppelin; those first four albums mainly, plus selected parts of Physical Graffiti. They’ve had their shameful moments, well-documented in that (genital) warts ‘n all book, but sometimes – most of the time? – it’s OK to separate the art from the dubiously-moralled artist. And shallow as I am, I am a sucker for a sloppily-played, turned up to 10 guitar riff. Sometimes, when the urge strikes, and usually only if the house is empty, nothing other will do than a proper baws oot blasting of Led Zeppelin.
Led Zeppelin – Custard Pie
Custard Pie is the perfect example of that tight-but-loose label that Led Zep acquired, Jimmy’s guitar to the fore, slapdash and funky but ultra-together, propelled by a wall of thunder behind, the drums almost leading on the off-beat, John Paul Jones riffing around on a clavinet or something similar in the gaps in-between. Robert opts for a restrained guttural croon, rockin’ yet soulful. Swathes of wah-wah and wailing harmonica carry the song to its conclusion, a no-frills, no nonsense rock and roll boogie, Jimmy up the frets and playing to the very limits of his abilities.
Custard Pie is the riff my fingers fall into whenever I pick up a guitar these days. It’s a beauty, ideal for stretching the pinky and working on the timing of the right hand, although I usually give up sometime around the first notes of the lightning flash solo. I’ve no patience for cock rock wizardry such as that. Nor have I much truck with the outdated and iffy subject matter (a Plant-based diet of a very different sort). Great rockin’ tune but.