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Give Forever

Those first few Oasis singles…that debut album…Some Might Say and Acquiesce and two sensational nights on Irvine Beach sandwiched in-between Definitely Maybe and Morning Glory… only a middle-aged internet bore with too much time on his hands (his hands) would deny the draw of the Gallaghers in 2024.

Lest we forget, but Cigarettes And Alcohol (first heard via a free NME tape), Live Forever, Rock ‘N Roll Star, Slide Away and half a dozen other gargantuan tunes came howling through 1994’s ether like the Fab Five Horsemen of the Apocalypse, booting down barriers, barging through doors and boorishly heralding a new movement in music. Loud, insistent and vital, Oasis were the Sex Beatles for a musical youth who had experienced neither first-hand. Within the year, an overspill of a million other identikit guitar bands followed in their bow-legged swagger, the Freddie and the Dreamers to Liam and Noel’s Lennon and McCartney. ‘Any fooker can do this,’ they gobbed off to an inspired youth, and roused by the Gallaghers’ taste in cagoules and cocky northern (southern to us) self-belief, some of them actually did.

If you are a parent, you’ll be well aware that thirty years later they continue to inspire. Oasis, it seems, give forever. The young team around here are mad fer it. There’s not a local band within earshot (both the young and the not-so-young ones who really should know better by now) who hasn’t affected their postured arrogant stance or shorn their hair (“but leave the sides, mate!“) or developed a shallow affection for the Beatles on the back of Liam and Noel’s actions. There are wee guys and girls right now, finding it surprisingly easy to crank out Cigarettes And Alcohol‘s T-Rex boogie on cheap Les Paul copies, or Epiphones if they asked Santa nicely enough. There are young guys this very moment in loose-fitting corduroy and comfy desert boots sidling up to too-high microphones in rehearsal rooms that once rang with a pre-Oasis hair metal racket, their over-elaborate voice and copied attitude a poor substitute for, y’know, actual singing ability. 

Cos unlike the (not so) great pretenders, Liam could sing. He could sing like fuck, as it goes. I’m not so sure he still can. At some point around 2000, when Oasis became a brand and not a band, he became a cartoonish parody of himself, all eeee-lonnggg-gay-teed vowels and gargle, his beak-nosed brother having perfected that open chord with bendy third string solo schtick to the point where he could trade insults with his younger sibling between verses, or sing the next song after Liam had skulked off at something he’d said. It’ll be interesting to see if Liam loses that daft hat he’s been wearing recently. Get The Hair out, Liam, and The Voice will return. It’ll be interesting too to see if Noel’s guitars have any fretboard wear lower than the top three strings.

If it ain’t broke, though, don’t fix it. Apart from the rhythm section, of course. Oasis ’25, it seems, will be just Noel and Liam and some similarly-attired and hair-styled musicians with much better chops than Guigsy, Bonehead et al. I wonder what they were thinking as the news filtered through their Amazon delivery van’s radio at 8 o’clock this morning?

This is for all the girls,” said Liam in Irvine all those years ago, announcing Slide Away. And, as Noel eked out the opening hammer-on (it’s Don Henley’s Boys Of Summer, by the way), he pointed somewhere towards the middle distance of the audience. “Especially her over there.” Those shows introduced Don’t Look Back In Anger to a live audience for the first time, Noel ringing out those open chords with one of yer actual George Harrison’s plectrums. And both nights kicked off with the roaring Acquiesce, the Gallaghers’ love song to one another and the song which they should see fit to open next summer’s shows with.

OasisAcquiesce

“That’s another zero on the value of your record,” withered Alan McGee as he took a Sharpie to the cover of my 1st press (Damont) Definitely Maybe a few years ago.

The reunion thing isn’t really for me. It’ll be dynamically priced to Swift-ish proportions. You’ll be shoulder to shoulder in a field of bucket hats, miles from the stage. There’ll be piss throwing and other antisocial rubbish. You’ll be stuck behind a video screen, halfway between a mega queue for the bar and the bogs. With Kasabian as a support act. But for the young folk who want to see what all the fuss was about first-time around, I’m all for it. Mad for it, even. Had it been the Clash or whoever, I’d have been just as excited. And don’t kid yourself, you would have too.

For those old bores online who are acting as if the world has ended, watch them change their tune when the inevitable Talking Heads reunion is announced. Just wait.

Most downloaded tracks, Sampled

Full Of Eastern Promise

A month or so ago I told you I’d been listening non-stop to the Amorphous Androgynous compiled ‘A Monstrous Psychedelic Bubble Exploding In Your Mind Volume 1 – Cosmic Space Music’. You can listen to some tracks and read about it here. Mind duly exploded, I went online and like thousands of you do, I bought some music from iTunes. I’ve always had my own unwritten rule that if the music was physically available, I’d always buy it. Who wants a digital file? Not me, I thought, until Oasis (yes, you read correctly) decided to release the 22 and a half minute Monstrous Psychedelic Bubble mix of current single ‘Falling Down‘ . I had to hear it ASAP and coupled with the only physically-available commercial release being on 2 sides of solid 33rpm 12″ vinyl and a severe lack of decent record shops anywhere near where I live, I opted for the easy option.


falling-down


I once had a letter published in Uncut, where I put the boot into Oasis calling them a ‘brand, not  a band’. I was quite pleased with myself when I wrote that line and even more pleased when they published the letter in the December issue of that year under the headline ‘The Last Noel’. I can’t remember when Oasis were last any good, but never has a band fallen so spectacularly from grace and ended up sounding like a dog’s dinner. They used to be terrific. There. Said it. No shame in that. I saw them live a couple of times between the first and second albums and they were sen-say-sheee-on-alllll. Suddenly, between second and third albums, they stopped being good, and at an alarming rate, their musical quality continues to drop.  ‘Falling Down’ is no different. It’s another Noel-led clunker with lots of fannying about with capos on the second fret, minor chords and open strings…

Em                         G6
the summer sun that blows my mind
Cmaj7                Asus2
Is falling down on all that I’ve ever known
Em             G6
Time to kiss the world goodbye
Cmaj7              Asus2
Falling down on all that I’ve ever known
Cmaj7   Dsus2
Is all that I’ve ever known. etc etc etc….

Yep, just like Wonderwall. But not as good. (No Liam on lead vocals, that’s why). It goes nowhere fast. Actually, not that fast. It takes about 10 minutes to go nowhere. Tedious on a grand scale. I don’t even think Liam and his Sex Beatles sneer could save it. Thankfully, Amorphous Androgynous have.


psychedelic-falling-down


It’s got sitars, flutes, mellotrons and the whole psychedlic shebang going on. Noel’s vocals are looped, sampled and buried deep beneath a drumbeat that sounds like ‘Tomorrow Never Knows’ clattering down four flights of stairs. There’s a fuzz bass solo that John Entwistle would’ve been suing over were he still alive. There’s a female backing singer that comes in sounding like Natasha Atlas being stung by a wasp. Or is that the fuzz bass again?  At one point a child speaks the lyrics as the whole thing blisses out like some sort of post-hallicinogenic comedown. Strangely, Chris Martin seems to be playing some sort of half-arsed piano at the same time and the track goes off into a whole new territory. I’d imagine this would be side 2 of the vinyl. The whole thing now sounds like The Orb or an Andrew Weatherall remix of some early ’90s guitar band. Yes. It’s that good. You don’t even mind the violin solo, cos those whoosing effects in the background remind you of the intro music the Stone Roses used at Glasgow Green. Natasha Atlas makes a re-appearance and her and Noel duet for a bit. The whole thing begins to pick up again. By the time the electric guitars and drums have crashed back into it and the whole track has lifted off into outer space you realise 15 or so minutes have passed, and there’s still another 7 to go! I won’t spoil it anymore, but do yourself a favour and download this now!


noel-gallagher


Noel Gallagher falling down.


Songwriters get their inspiration in the strangest of places.