Category: Cover Versions

I’ve had these tracks for nearly a year, but I really think I should be sharing them. You might have heard them already, but if not get them now.

Two Raconteurs tracks recorded for the Dermot O’Leary BBC Radio 2 show on the 25th March 2006. I recorded them at the time and have listened to them many times since (usually in the car or on my iPod cos Mrs Plain Or Pan just disnae like all those electric guitars). You may well be familiar with the Raconteurs album, but the version here of ‘Steady, As She Goes’ is something else entirely. Y’see, the Raconteurs album came out a year after it was recorded (due to White stripes stuff and record company politics). In the meantime, the band had been out on tour and really learned how to play. As a result, the songs that featured on the album were stretched, mangled and morphed into feedback soaked blues freak-outs and daintily picked acoustic run throughs straight off of Led Zeppelin 3. This ‘Steady, As She Goes’ sounds like something the Kinks would have been happy to release in 1965 – it’s loose, funky and the drums sound great. It has a great double lead vocal a-la Ray and Dave Davies and it even manages to sound kinda reggae. I love it. You will too.

The second track here is the Raconteurs version of ‘It Aint Easy’, made famous (though not written) by David Bowie on his Ziggy Stardust album. It’s pretty much a straight run through of Bowie’s version of the song, but you need it, cos the band have never really played it since.

Next week I plan to put up more Raconteurs session stuff – I have a fantastic version of ‘Store Bought Bones’ recorded for Radio 1 that sounds like a fight between a Marshall stack and a Big Muff fuzz box in a hammond organ shop. Stay tuned…

Norman Blake does Dennis Wilson’s ‘Only With You’ here.

In years to come I like to think that people will be discussing whether they’re a Norman, Gerry or Raymond fan in much the same way that nerdy trainspotting males argue over Lennon and McCartney. “Yeah, but Lennon never did the Frog Chorus!”. “Only ‘cos he was shot first!”. I don’t imagine it’ll ever be a national debate but if it was I would sit firmly in the Norman camp.

‘Only With You’ is a cover of a Dennis Wilson song that first appeared on a tribute album called ‘Caroline Now!’ The Beach Boys version is on their 1973 album ‘Holland’ if you’re interested. And you bloody should be. But anyway. Norman’s version is amazing. The harmonies and 12 string electric guitar means it is 1000% Byrds, and by the time the string section slides in you’ll find yourself wishing you were getting married so that you could have this as your first dance. Or maybe not. You might prefer ‘Love Is All around’ or that Bryan Adams one from a few years ago. But anyway, this track is the real deal.

Girls. Download it. Play it to your fella, and if he’s half the man he says he is, he’ll be off to the diamond ring section of JH Samuel’s. If he’s half the man you know he is, he’ll probably be half way out of your life forever. But, hey, give it a try. 

Boys. Download it, play it to your special someone, and if your not doin’ the do by the time the string section has kicked in, you need to ask yourself “Is it really worth the hassle?”

What we have here is 2 bands at polar opposites, yet united by a crappy tenuous connection.  Firstly, we have Pavement. Shambolic college rock from the U. S. of A. with a neat line in whiny vocals and spidery guitar lines.

Then we have the La’s. Perfectionists to the nth degree, they were desperate to create the perfect album that sounded like Merseybeat mixed with Captain Beefheart and the Delta Blues – the sound of the Merseyssippi as Lee Mavers  was keen on saying in every interview he did between 1987 and 1990.

The link? Echo and the Bunnymen. Pavement covered ‘The Killing Moon’ in 1997 for a BBC session. It’s a pretty straightforward version, a bit slower and trippy than the original, with added whoops that make it sound a bit like New Order in places. Get it here. 

In 1987, in their quest for the Mersyssippi, the La’s turned to Pete de Freitas, the Bunnymen’s drummer and fellow Scouser to help produce some sessions. Did you know that ‘Echo’ of Echo and the Bunymen was the name of their drum machine before Pete joined? I digress…. Anyway, the sessions did not produce anything classic though all La’s songs you know and love were tried. The sessions are often referred to as the ‘Echo’ sessions, given that de Freitas chucked a big bucket of reverb and echo over the vocal tracks. In some ways it adds to the tracks, in other ways it kind of spoils them. Anyway, here you’ll find a version of ‘Callin’ All’ that sounds like Love or ‘We Love You’-era Rolling Stones and clatters along in a vaguely psychedelic fashion. ‘Callin’ All’ was meant to be the name of the La’s debut until they dropped this song at the last minute.  I can tell you loads of La’s stories and useless information, and I have a treasure trove full of La’s stuff which will see the light of day at some point. In the meantime, enjoy ‘Callin’ All’ and keep coming back. Cheers!

I’m striking while the iron’s hot here. Thanks to all my new visitors from the Teenage Fanclub website for boosting my numbers on these pages. As a one-off, never to be repeated treat, please find attached a link to Teenage Fanclub’s version of Nirvana’s ‘About A Girl’.

I taped it from BBC Radio Scotland’s Beat Patrol show years ago, and a few months ago I got around to transferring it from tape to mp3. For what it’s worth, I think this version’s better than the original. It features some laid back vocals and some pretty rudimentary slide guitar that sounds as if (Raymond? Norman?) just learned how to play slide guitar about 10 minutes beforehand. Of course, half of the appeal of TFC is that at any minute it sounds like it could all fall apart. At least it was in the early days, maybe not so much nowadays. But this track holds well together, right up until the final demented slide guitar riff wheezes off into the ether. Here you go.

For as long as I can remember, at least since I first heard it and perhaps even longer, I’ve always loved Todd Rundgren’s ‘I Saw The Light’. To many people this would appear to be one of those guilty pleasures, but for me, there’s nothing guilty about it. It’s simply a great wee pop song, all soaring harmonies and 70’s guitar.

Then I read that Teenage Fanclub had recorded a version of it. Recorded in 1991 for the Buffy the Vampire Slayer movie or TV show (can’t quite remember) but never released. I. Had. To. Have. It. I had everything by Teenage Fanclub up to that point (and still do). 7″ of ‘Everything Flows’? Check! 7″ of ‘Ballad Of John & Yoko’? Check! Australian Promo video for Star Sign? Check! You name it, I’ve got it. So I had to have Teenage Fanclub, my favourite band, doing my favourite song. But could I find it? Could I hell. I thought the internet was invented for this sort of thing, but clearly not. I turned up many an interesting Teenage Fanclub oddity along the way. Live American Radio shows, old BBC Scotland sessions I had taped off the radio way back in the day, the Clydesmen doing ‘Kylie’s Got a Crush On Us’ that I had on a Select magazine tape. Even the hard-to-get joint 7″ with Alex Chilton that was sold throught the NME in around 1991/1992. Now I could listen to them all on my iPod! Great! But nowhere could I find ‘I Saw The Light’. I had given up all hope of ever hearing it until…….2005. Then the Scotland On Sunday gave away a free 6 Track Teenage Fanclub CD, and there, hiding at number 5, not even the lead track, was ‘I Saw the Light’. On first hearing it I was somewhat underwhelmed. “It sounds just like Todd’s,” I thought. And it did. And it still does. But it’s magic. See the light for yourself here.

Anyone with a reasonably good set of ears will know that ‘Vauxhall & I’ is by far Morrissey’s best solo work. Only just ahead of ‘Your Arsenal’, but much, much better than the over-rated ‘You Are The Quarry’ it is a classic of sorts. Released in 1994, the playing, the songwriting and the vocal delivery all come together on a near-perfect wee album. It kicks with the melancholic majesty of ‘Now My Heart Is Full’ and gets better as every new track comes in. The singles released from the album were all (in my head) number 1 smashes. All (in reality) were not what could be called ‘chart botherers’. The first single ‘The More You Ignore Me’ went in at a respectable number 8. ‘Hold On To Your Friends’ did less well. Straight in at 47 before tumbling to 74 and off the radar forever. Which is where we come in. You see. On the b-side was Morrissey’s version of ‘Moon River’ All 9 minutes and 38 seconds of it. He croons! He swoons! He goes on a wee bit! But it’s magic. For a while, the inclusion of this track meant that ‘Hold On To Your Friends’ was a reasonably valuable Morrissey single to own. However, a quick trawl through eBay shows it is not quite as sought after as it once was. Nonetheless, your life is not complete until you’ve heard it. So here it is, in all it’s majestic glory.